Intonation in present-day North Indian classical music
Intonation in present-day North Indian classical music
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当今北印度古典音乐的语调
DOI：
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发表时间：
1963
期刊：
影响因子：
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通讯作者：
A. Stone
中科院分区：
文献类型：
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作者：
N. A. Jairazbhoy;A. Stone
大多数涉及印度音乐的梵文文献都提到7个svaras（音符）和22个rutis（音程？microtones？）据说这是印度音乐的基础。许多西方和本土语言的现代作家认为，Rārutis指的是从一个rāga到另一个rāga的特定音符的微音调变化。为了表达对语调的普遍看法，我们引用了一位著名的北印度音乐作家阿兰·达尼埃卢（Alain Daniélou）的话：“不可能连续准确地唱出完整的shrutis音阶（就像一些歌手假装做的那样），但是当它们体现在表达音阶中时，它们都可以完美准确地唱出来。
Most Sanskrit texts dealing with Indian music refer to 7 svaras (notes) and 22 śrutis (intervals ? microtones ?) which are said to be the basis of Indian music. Many modern writers in Western as well as the vernacular languages consider that śrutis refer to the microtonal variations in particular notes from one rāga to another. In order to convey the general opinion on the subject of intonation, we quote from Alain Daniélou, a prominent writer on North Indian music: ‘It is impossible to sing the complete scale of the shrutis accurately in succession (as some singers pretend to do), but they can all be sung with perfect accuracy when they are embodied in expressive scales’.