The new Reithians
The new Reithians
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新瑞斯人
DOI：
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发表时间：
2015
期刊：
影响因子：
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通讯作者：
S. Popple
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文献类型：
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作者：
S. Popple
正在进行的艺术与人文研究委员会 (AHRC) Pararchive 项目旨在建立新的互动环境，探索所有权、公共和机构关系问题，并为利用数字遗产资源进行社区协作研究和创意表达提供工具。1 该项目的动机是认识到社区在组织和连接资源以及彼此之间遇到了真正的障碍。在文化遗产领域，从公共机构获取档案材料并克服可能和应该相互丰富的关系的障碍往往很困难。在这种背景下，英国广播公司 (BBC) 传统上被视为一个有问题的机构 — — 由公共资助且极其富有 — — 但又疏远且贵族。该项目团队与 BBC 档案开发主管 Tony Ageh 合作，重点关注版权和机构声音等问题，以此促进更加开放和协作的观众关系。作为我们当前对话的一部分，我们还一直在研究 BBC 内部可能阻碍这些活动的传统。我们的初步结论是，问题的一个主要部分在于 BBC 与其付费观众之间缺乏合作关系，我们已将其作为我们研究的重点。本文概述了 Pararchive 项目的背景以及该项目对 BBC 与其受众之间关系的具体关注点。
The ongoing Arts and Humanities Research Council (AHRC) Pararchive project seeks to build new interactive environments that explore issues of ownership, public and institutional relationships and provide tools for collaborative community research and creative expression using digital heritage resources.1 It was motivated by recognition that communities are encountering real barriers to organizing and connecting to resources and with each other. In the field of cultural heritage it is often difficult to access archival materials from public institutions and overcome barriers to what could and should be mutually enriching relationships. In this context, the British Broadcasting Corporation (BBC) has traditionally been seen as a problematic institution – publicly funded and immeasurably rich – yet distant and patrician. Working with Head of BBC Archive Development Tony Ageh, the project team is focusing on issues such as copyright and institutional voice as a means of facilitating a more open and collaborative audience relationship. As part of our current dialogue, we have also been examining the traditions within the BBC that might act as a block to these activities. Our initial conclusion is that a major part of the problem lies in the lack of partnership between the BBC and its licence paying audience, and we have made that a key focus of our study. This article outlines the background to the Pararchive project and the specific focus within it on the relationship between the BBC and its audiences.