'Get off your asses for these old broads!': Elizabeth Taylor, ageing and the television comeback movie
'Get off your asses for these old broads!': Elizabeth Taylor, ageing and the television comeback movie
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“别再为这些老女人滚蛋了！”：伊丽莎白·泰勒，衰老和电视复出电影
DOI：
10.1080/19392397.2012.644717
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发表时间：
2012
影响因子：
1.5
通讯作者：
Smith S
中科院分区：
文献类型：
--
作者：
Smith S
在2003年的《Something's Gotta Give》、2007年的《Mama's Boy》和2007年的《Because I Said So》等电影中，黛安·基顿已经成为一系列新的浪漫喜剧的“海报女性”，这些电影将对一位年长女性女主角的渴望置于中心位置。通过文本分析，特别是在这一时期，围绕这部电影和基顿更广泛的东西的必须给予和媒体话语，本文探讨了基顿如何回到这样的突出地位，特别是在这种类型和年龄时，通常认为大多数女演员将从聚光灯下退去。基顿承载着我们可以称之为高度的历史感，她的作品在大约四十年的时间里海岸了一种可识别的表演风格，并在她的电影中实现了许多反射性的联系。
Films such as Something's Gotta Give (2003), Mama's Boy (2007) and Because I Said So (2007), Diane Keaton has emerged as 'the poster woman' for a body of newly inflected romantic comedies, films which have placed the desire of and for an older woman heroine at their centre. Through textual analysis, particularly of Something's Gotta Give and media discourses surrounding both this film and Keaton more broadly during this period this article explores how Keaton returned to such prominence, specifically in this genre and at an age when it is typically presumed most women actors will have receded from the spotlight. Keaton carries what we might call a heightened sense of history, that her oeuvre has built over the course of some four decades to shore up a recognisable performance style and to enable numerous reflexive connections across her films.