Desire in the Renaissance: Psychoanalysis and Literature

Desire in the Renaissance: Psychoanalysis and Literature
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文艺复兴时期的欲望:精神分析与文学

DOI:
10.1515/9781400821501
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发表时间:
1994
期刊:
影响因子:
--
通讯作者:
R. Schwartz
R. Schwartz
中科院分区:
--
文献类型:
--
作者:
Valeria Finucci;R. Schwartz

文献摘要

被引文献

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利用各种精神分析方法,十位评论家参与了令人兴奋的讨论,讨论了文艺复兴时期描绘“内心生活”的方式,以及它被展示出来与“外部”社会和经济领域互动的方式。在资本主义和核心家庭崛起的刺激下,文艺复兴时期对身份变化的焦虑出现在那个时代的无意识中--或者,正如弗洛伊德所说,出现在文学中。因此,许多文艺复兴时期的文学代表了精神分析话语中突出的主题:错误的身份、乱伦、偷窥癖、哀悼和离奇。这本书的文章范围从斯宾塞和弥尔顿到马基雅维利和阿里奥斯托,并集中在性别的流动性,性和兄弟姐妹竞争的经济学,视觉的力量,以及神秘的文化回声。对每个话题的讨论都突出了语言作为欲望、越轨或压迫的媒介。“伪装:性、阶级和性别流动”一节包含了玛乔丽·加伯(Middleton)、娜塔莎·科达(Natasha Korda)(Castiglione)和瓦莱里娅·芬努奇(Valeria Finucci)(Ariosto)的文章。《眼神:权力的循环》的撰稿人包括哈里·伯杰(斯宾塞饰)、林恩·埃特林(彼得拉克饰)和雷吉娜·施瓦茨(米尔顿饰)。《爱与恨:臣服经济学》包括朱莉安娜·斯基萨里(马奇亚-韦利)和威廉·克里根(莎士比亚)。《继续梦想:诡异的邂逅》收录了伊丽莎白·J·贝拉米(Tasso)和大卫·李·米勒(David Lee Miller)(Jonson)的散文。
Drawing on a variety of psychoanalytic approaches, ten critics engage in exciting discussions of the ways the "inner life" is depicted in the Renaissance and the ways it is shown to interact with the "external" social and economic spheres. Spurred by the rise of capitalism and the nuclear family, Renaissance anxieties over changes in identity emerged in the period's unconscious--or, as Freud would have it, in its literature. Hence, much of Renaissance literature represents themes that have been prominent in the discourse of psychoanalysis: mistaken identity, incest, voyeurism, mourning, and the uncanny. The essays in this volume range from Spenser and Milton to Machiavelli and Ariosto, and focus on the fluidity of gender, the economics of sexual and sibling rivalry, the power of the visual, and the cultural echoes of the uncanny. The discussion of each topic highlights language as the medium of desire, transgression, or oppression. The section "Faking It: Sex, Class, and Gender Mobility" contains essays by Marjorie Garber (Middleton), Natasha Korda (Castiglione), and Valeria Finucci (Ariosto). The contributors to "Ogling: The Circulation of Power" include Harry Berger (Spenser), Lynn Enterline (Petrarch), and Regina Schwartz (Milton). "Loving and Loathing: The Economics of Subjection" includes Juliana Schiesari (Machia-velli) and William Kerrigan (Shakespeare). "Dreaming On: Uncanny Encounters" contains essays by Elizabeth J. Bellamy (Tasso) and David Lee Miller (Jonson).