Asian Punches - A Transcultural Affair
Asian Punches - A Transcultural Affair
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亚洲拳——跨文化事件
DOI：
10.1007/978-3-642-28607-0_9
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发表时间：
2013
期刊：
影响因子：
--
通讯作者：
Booth M
中科院分区：
文献类型：
--
作者：
Booth M
1894年9月，开罗的《芦苇管》杂志创刊不久，就出现了一首阿拉伯语的口语诗。这首三页的诗名为《一堆诗：芦苇烟斗的扎贾尔论时尚》，抨击埃及的晚年青年是“一无是处的一代”。这一代人酗酒，消耗埃及的资源，未婚先孕，不怕父母，从来没有吃过良好教养的乳汁，他们骑着欧洲风格的四轮马车在开罗到处兜风，特别是去Rawda游乐园，穿着运动的油布和夹克，没有胡子。这是时尚的一代;标签，一个欧洲的外来词，口头上制定了渗透到这首讽刺诗中的侵入性存在。
This plaintive line appears in a colloquial Arabic poem in the Cairo-based journalAl-Arghūl(the reed-pipe) soon after its founding in September 1894. Entitled ‘A Load of Poetry: The Reed-Pipe’s Zajal on Fashion’, the three-page poem attacks Egypt’sfin de siècleyouth as a ‘good-for-nothing generation’ (gīl khāyib). It is a generation that drinks alcohol, sucks up Egypt’s resources, gets pregnant before marriage, fears no father or mother, never suckled on the milk of good upbringing, and rides around Cairo, especially to the Rawda pleasure-garden area, in European-style phaetons, sporting tarbushes andzikittas (jackets) and no beards. It is a generation ofmōda, fashion; the label, a European loanword, verbally enacts the invasive presence that penetrates this satirical poem.