Narration in Babylonian Art
Narration in Babylonian Art
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巴比伦艺术中的叙事
DOI：
10.2307/501081
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发表时间：
1957
影响因子：
1.2
通讯作者：
A. Perkins
中科院分区：
文献类型：
--
作者：
A. Perkins
象征性的意图“在史前时代末期，人们就有了纪念重大事件的愿望和用图画描绘故事的想法，但艺术发展的主要路线是在考虑其他因素的情况下演变的。这种情况与早期埃及的情况类似，但两个国家的艺术思想表达的形式却大不相同。巴比伦的艺术家们总是在小范围内思考，艺术表现的载体是便携式的物体：花瓶，牌匾，石碑，圆柱形印章。“大规模的壁画浮雕工作，如在埃及从古王国已知的，是不可能的冲积巴比伦，没有合适的石头。巴比伦建筑的灰泥砖墙-
symbolic intent.' The desire to commemorate significant events and the idea of pictorial depiction of a story existed by the end of the prehistoric period, but the major lines of development of the arts evolved with other considerations in mind.The situation is similar to that of early Egypt, but the forms in which the artistic ideas of the two lands were expressed are very different. The Babylonian artists thought always on a small scale, and the vehicles of artistic expression were portable objects: vases, plaques, stelae, cylinder seals." Largescale mural relief work, such as that known in Egypt from the Old Kingdom on, was impossible in alluvial Babylonia, which had no suitable stone. The plastered brick walls of the Babylonian build-