Against the odds: pandemic early choral music
Against the odds: pandemic early choral music
复制标题
克服困难:流行的早期合唱音乐
作者:
Goursaud C
Choral music and those who make and listen to it have had, to say the least, a rough ride over the past year and a half. Successive lockdowns have deprived audiences and congregations of the unique and uplifting experience of hearing live voices in consort, amateur choirs and choral societies have been unable to provide their usual opportunities for fellowship and recreation, while professional singers and their families have lost their incomes. Children have suffered particularly; for a cathedral chorister to have unceremoniously missed out on what might have been their final year of service is a great pity. More than that, a pernicious mistrust in the very act of singing has taken hold, originating largely in misconceptions engendered by media reports during the first wave of COVID-19 infections in early 2020. 1 Initial fears that singing might present a greater risk of aerosol or droplet transmission than speaking have largely been—or at least should have been—allayed by the results of the 2020 PERFORM study carried out by the consultant ENT surgeon and singer Declan Costello and his team, which concluded that while vocalization carries a higher risk of transmission than breathing alone, speaking and singing at the same volume produces particles of broadly similar number and magnitude. 2 Despite this, while professional singers are currently (at the time of writing) able to perform with appropriate mitigation in place, non-professional and amateur choirs are limited to a maximum of six singers indoors. On 15 June 2021, Barbara Keeley MP, and Michael, Lord Berkeley of Knighton, respectively Chair and Co-Chair of the All-Party Parliamentary Group on Classical Music, wrote that these restrictions have ‘had a major impact on the mental wellbeing of choir participants, for many of whom their choir is a lifeline out of isolation and loneliness [,] and on the freelance musicians that lead these choirs’. 3 Ben Parry, Artistic Director and Principal Conductor of the National Youth Choirs of Great Britain, Director of the professional choir London Voices, and Assistant Director of Music and Bye-Fellow of King’s College, Cambridge has separately provided the following reaction:Although the current restrictions on choral singing do not affect me directly, I am, nevertheless, bewildered and frustrated—like so many of my colleagues—that the powers that be have stymied amateur singing so blatantly. We already accept that there is an increased risk of aerosol transmission with singing, but the extraordinary lengths to which choirs and singers have gone to mitigate these risks, while pubs, restaurants and sports facilities are heaving with loud, un-masked, non-distanced clientele is beyond belief. I have been working regularly with my professional choir since July 2020 in COVID-compliant conditions, with no incidences of contamination—why should amateur singers be treated any differently? The impact on mental wellbeing amongst the choral community, not to mention the arts industry in general, is immense. 4