What Remains of Man-Aldo Rossi's Modena Cemetery
What Remains of Man-Aldo Rossi's Modena Cemetery
复制标题
曼-阿尔多·罗西的摩德纳公墓还剩下什么
DOI：
10.2307/989761
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发表时间：
1982
影响因子：
0.4
通讯作者：
E. J. Johnson
中科院分区：
文献类型：
--
作者：
E. J. Johnson
阿尔多·罗西1971年的摩德纳墓地设计是过去十年中最广泛讨论的建筑项目之一。现在正在建设中，在1976年修订计划的基础上，罗西9的墓地展示了他对既定建筑类型的使用，以意想不到的组合，传达关于建筑和生活的具体想法。一些评论家，如Manfredo Tafuri，认为Rossi9s设计的意义无法用语言表达。本文试图证明情况恰恰相反。在这里，Rossi9s的来源和著作是串联探索，以解开他的墓地设计中包含的复杂信息。特别是，Rossi9s欠Piranesi，Boullee的债。卢什，汉内斯迈耶，勒柯布西耶，和德基里科进行了讨论。此外，Rossi9s使用的建筑类型，自传体元素，和拟人化的形象被认为是。最终，墓地证实了罗西的想法，即建筑具有特别的重要性，因为它仍然是，通过时间，作为人类的证明。
Aldo Rossi9s Modena cemetery design of 1971 has been one of the most widely discussed architectural projects of the past decade. Now under construction, on the basis of a revised plan of 1976, Rossi9s cemetery demonstrates his use of established architectural types, in unexpected combinations, to convey specific ideas about architecture and life. Some critics, such as Manfredo Tafuri, have taken the view that the meaning of Rossi9s design cannot be verbalized. This article seeks to demonstrate that the opposite is the case. Here, Rossi9s sources and writings are explored in tandem, in order to unravel the complex message contained in his cemetery design. In particular, Rossi9s debts to Piranesi, Boullee. Loos, Hannes Meyer, Le Corbusier, and de Chirico are discussed. In addition, Rossi9s uses of architectural types, autobiographical elements, and an anthropomorphic image are considered. Ultimately, the cemetery exemplifies Rossi9s idea that architecture has a particular importance because it remains, through time, as a testament to humanity.