The Inflow of the Early Luo Zhenyu Collection of Calligraphy, Paintings, and Inscription Rubbings into Japan
The Inflow of the Early Luo Zhenyu Collection of Calligraphy, Paintings, and Inscription Rubbings into Japan
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罗振玉早期藏书画、碑刻拓片流入日本
DOI：
10.11166/shogakushodoshi.2022.57
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发表时间：
2022
期刊：
影响因子：
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通讯作者：
下田章平
中科院分区：
文献类型：
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作者：
Teerapat Deemad;Peng Jiang;Takamitsu Tanaka;松原知生;中野朋子;下田章平
本文主要分析了关西大学图书馆内藤藏作为罗振宇研究藏书的一部分，并考察了罗振宇退隐京都从事收藏活动的背景。接着，我们进一步研究了罗振玉书法、绘画、碑文拓本收藏（以下简称“早期罗振玉收藏”），并讨论了向日本收藏家推销这些收藏品的方法。研究结果发现，罗振宇之所以决定退隐京都，是因为藤田健保认为他有能力筹集到退隐和学术出版所需的经费。事实上，京都静修的最初费用是由上野本宿舍提供的。早期罗振玉收藏的销售，也起到了教育日本了解明清书画和好碑帖的作用，并形成了上野友筑斋和大西贤赞收藏的核心。山本治浩似乎受到了这样的运动的启发，在很短的时间内扩大了明清书画收藏。此外，罗振宇的收藏品被预先编目销售，并举行了一次收藏品展览。值得注意的是，这后来成为犬养博多领导的收藏集团在促销和销售方法方面的指导方针。此外，我们还发现，罗振宇不仅向中国藏家购买藏品，而且在藏品向东转移时，广泛从事代理销售和销售中介。这表明，财政拮据的清皇室和高官们所出的许多书画碑帖，有一部分通过罗振玉流向日本，寻求销售渠道。
In this paper, we mainly analyzed materials in the Naito Collection in Kansai University Library as part of Luo Zhenyu's research collection and examined the background of Luo Zhenyu's retreat to Kyoto to pursue his collection activities. We then further examined the Luo Zhenyu calligraphy, painting, and inscription rubbing collection (hereinafter the “Early Luo Zhenyu Collection”) and discussed the methods used to promote and sell them to Japanese collectors. As a result of the study, we found that Luo Zhenyu's decision to retreat to Kyoto was based on the arrangement by Fujita Kenpo, who determined that he would be able to raise the funds necessary to afford the expenses for the retreat and academic publishing. In fact, the initial cost of the Kyoto retreat was financed by the Uenobon Jushichijo. The sale of the Early Luo Zhenyu Collection also served to educate Japan about the reality of Ming and Qing calligraphy, paintings, and the good inscription rubbings and formed the core of the Ueno Yuchikusai and Onishi Kenzan collections. Yamamoto Jiho seemed to be inspired by such a movement and expanded the Ming and Qing calligraphy and paintings collection in a short period of time. Furthermore, the Luo Zhenyu collection was cataloged for sale in advance, and an exhibition of the collection was held. It should be noted that this later became a guideline for the collection group led by Inukai Bokudo in terms of methods of promotion and sale. In addition, we also found that Luo Zhenyu not only purchased the collection from Chinese collectors but also widely engaged in sales on their behalf and sales intermediation when the collection was transferred to the east. This suggests that a portion of the many calligraphy, paintings, and inscription rubbings released by the financially impoverished Qing imperial family and high-ranking officials flowed out through Luo Zhenyu to Japan, seeking a sales channel.