'What We're Trying to Do is Make Popular Politics': The Birmingham Film and Video Workshop

'What We're Trying to Do is Make Popular Politics': The Birmingham Film and Video Workshop
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“我们正在努力做的是大众政治”:伯明翰电影和视频研讨会

DOI:
10.1080/01439685.2013.823025
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发表时间:
2013
期刊:
Historical Journal of Film, Radio and Television
影响因子:
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通讯作者:
Long P
Long P
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文献类型:
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作者:
Long P

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本文探讨了伯明翰电影和视频工作坊(BFVW)的起源和工作。解决缺席帐户英国屏幕的做法,文章的地方BFVW在英国的社会政治背景下的20世纪70年代和80年代,作为车间运动的一部分,其与建立第四频道电视台的关系。它问:研讨会是什么?在这种情况下如何理解它们?他们做了什么样的工作,如何评估?在这一更广泛的背景下,BFVW的特殊性质是什么?如果它的工作确实有意义,那么它的意义又是什么呢?作为组织的这些讲习班以及它们所产生的作品发生了什么?本文探讨了各种BFVW电影的美学品质和生产的背景。它借鉴了档案材料,以及一系列的采访与关键车间人员,这表明,重新登记的工作BFVW的车间运动的更广泛的帐户是重要的理解这一领域的结构和独立生产的电影和电视的历史。
This article explores the origins and work of the Birmingham Film and Video Workshop (BFVW). Addressing absences in accounts of UK screen practice, the article places the BFVW in the UK’s socio-political context of the 1970s and 80s, as part of the workshop movement and its relationship with the establishment of Channel Four Television. It asks: what were the workshops and how are they to be understood in this landscape? What kinds of work did they produce and how is it to be assessed? What was the particular nature of the BFVW in this wider context? What was the significance of its work, if indeed it was significant at all? What happened to such workshops as organisations and indeed to the work that they produced? The article explores a variety of BFVW films in terms of their aesthetic qualities and contexts of production. It draws upon archival materials as well as a series of interviews with key workshop personnel, suggesting that the re-inscription of the work of BFVW to the wider account of the workshop movement is important for understanding the structuring of this field and the history of independent production in film and television.