The influence of emotion, locus of emotion and familiarity upon preference in music

The influence of emotion, locus of emotion and familiarity upon preference in music
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情感、情感所在和熟悉程度对音乐偏好的影响

DOI:
10.1177/0305735607072657
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发表时间:
2007
影响因子:
1.7
通讯作者:
Emery Schubert
Emery Schubert
中科院分区:
心理学4区
文献类型:
--
作者:
Emery Schubert

文献摘要

被引文献

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本研究报告了一项关于感觉(内部轨迹-IL)情绪和表达(外部轨迹-EL)情绪对音乐偏好的影响的实证研究。64名参与者对四首浪漫的西方艺术音乐的IL和EL进行了情感评分。对于每一项轨迹任务,都会对“情绪强度”、“效价”、“唤醒”和“优势”进行评级,并将其转换为大小分数。对熟悉度和偏好的评分也被收集起来。总体计算情绪位点间的差距(GAEL)--它结合了极坐标情绪空间和每个维度的GAEL分数。熟悉度、感觉到的情感力量和总体盖尔可以解释46.9%的偏好差异。IL和EL负效价都与偏好相关,提示通过解离来享受音乐中的负面情绪。研究表明,与注意音乐试图传达的情感相比,音乐让听众感受到的方式在决定享受方面更重要。此外,IL和EL情绪的匹配(即最小化GaEL)比当IL情绪的大小低于EL时更受欢迎。因此,在这项研究中确定了两个享受原则:(1)分离和(2)聚集。
This study reports an empirical investigation of the influence of felt (internal locus — IL) emotion versus expressed (external locus — EL) emotion upon preference in music. Sixty-fve participants rated IL and EL of emotions for fve pieces of romantic western art music. For each locus task `emotional strength', `valence', `arousal' and `dominance' were rated and converted into magnitude scores. Ratings of familiarity and preference were also collected. Gap across emotion loci (GAEL) was calculated overall — which combined GAEL scores in polar-coordinate emotion-space, and for each dimension. Familiarity, felt emotional strength and overall GAEL explained 46.9 percent of the variance in preference. Both IL and EL negative valence were correlated with preference suggesting enjoyment of negative emotion in music through dissociation. The study suggests that the way music makes the listener feel is more important in determining enjoyment than noticing the emotion the music is trying to convey. Also, matching of IL and EL emotions (i.e. minimizing GAEL) is more preferred than when IL emotions are lower in magnitude than EL. Hence two principles of enjoyment are identifed in this study: (1) dissociation and (2) GAEL.