EcoSono: Adventures in interactive ecoacoustics in the world
EcoSono: Adventures in interactive ecoacoustics in the world
复制标题
EcoSono：世界互动生态声学的冒险
作者：
M. Burtner
我只是出去散步，最后决定在外面呆到日落，因为我发现，出去真的是进去。John Muir（1913）本文描述了最近的几个项目，它们共同说明了一种不断发展的实践和生态声学声音艺术的哲学，称为EcoSono。这些项目的前景冒险-生活，在人与世界的接触。作为一种技术声音艺术实践，EcoSono使用技术将人类和环境表达联系起来，试图定义人类与自然世界之间的合作和共生关系。这项工作的核心是计算和转导技术，使更深层次的人与环境的相互作用。本文介绍了三个项目，包括MICE（移动的交互式计算机包围）世界巡回赛，EcoSono研究所的音乐/科学合作冒险，和代理商对机构系列的紧急和即兴音乐形式。文章还讨论了交互式生态声学的几个关键价值。首先，它描述了“不切实际”在创造一个富有成效的环保艺术作品的重要性。文章还提出，户外录音的目的不是获取素材样本，而是聆听世界，从中学习。
I only went out for a walk, and finally concluded to stay out till sundown, for going out, I found, was really going in. John Muir (1913) This article describes several recent projects that together illustrate an evolving practice and a philosophy of ecoacoustic sound art called EcoSono. These projects foreground adventure – the live, in-person engagement with the world. As a technological sound art practice, EcoSono uses technology to link human and environmental expression, in an attempt to define a collaborative and symbiotic relationship between humans and the natural world. At the core of this work are computational and transduction technologies enabling deeper human–environment interaction. This paper describes three projects including the MICE (Mobile Interactive Computer Ensemble) World Tour, the EcoSono Institute music/science collaboration adventure, and the Agents Against Agency series in emergent and improvised musical forms. The article also addresses several key values of interactive ecoacoustics. First, it describes the importance of ‘impracticality’ in creating a productive environmentalist art work. The article also makes the case that the purpose of outdoor recording is not the acquisition of material samples, but to hear the world and learn from it.