Babel and Babylon: Spectatorship in American Silent Film
Babel and Babylon: Spectatorship in American Silent Film
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巴别塔与巴比伦：美国无声电影中的观众
DOI：
10.2307/3684737
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发表时间：
1991
期刊：
影响因子：
--
通讯作者：
M. Hansen
中科院分区：
文献类型：
--
作者：
Charles O’brien;M. Hansen
引言：电影观众观影与公共生活第一部分：重建巴别塔：观众观影的出现寻找观众的电影：好莱坞2之前的电影与观众关系。早期受众：神话和模式变色龙和催化剂：电影作为一种可选择的公共领域第二部分：巴比伦的巴别塔：d·w·格菲思的不容忍（1916）接受、文本系统与自我定义《光芒四射的疯狂被子》：叙事模式与称谓创世纪，原因，历史概念电影史、考古学、世界语言象形文字，文字的比喻母亲的谜语《女性的危机》、《拯救的幻想》第三部分：巴比伦的回归：鲁道夫·瓦伦蒂诺与女性观众（1921-1926）男明星，女粉丝视觉模式，场景识别笔记插图学分索引
Introduction: Cinema Spectatorship and Public Life PART I: Rebuilding the Tower of Babel: The Emergence of Spectatorship 1. A Cinema in Search of a Spectator: Film-Viewer Relations before Hollywood 2. Early Audiences: Myths and Models 3. Chameleon and Catalyst: The Cinema as an Alternative Public Sphere PART II: Babel in Babylon: D. W. Grffith's Intolerance (1916) 4. Reception, Textual System, and Self-Definition 5. "A Radiant Crazy-Quilt": Patterns of Narration and Address 6. Genesis, Causes, Concepts of History 7. Film History, Archaeology Universal Language 8. Hieroglyphics, Figurations of Writing 9. Riddles of Maternity 10. Crisis of Femininity, Fantasies of Rescue PART III: The Return of Babylon: Rudolph Valentino and Female Spectatorship (1921-1926) 11. Male Star, Female Fans 12. Patterns of Vision, Scenarios of Identification Notes Illustration Credits Index