The Quantum Paradox of Truthiness: Satire, Activism, and the Postmodern Condition
The Quantum Paradox of Truthiness: Satire, Activism, and the Postmodern Condition
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真理的量子悖论:讽刺、行动主义和后现代状况
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发表时间:
2016
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通讯作者:
J. Caron
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作者:
J. Caron
When Studies in American Humor conceived of a special issue on recent satire, we framed the topic by asking contributors to test the usefulness of the postmodern condition as a rubric. How might the concept demarcate a poetics of contemporary American comic art forms that use ridicule to enable critique and promote the possibility of social change? Whatever distinctions might be or are being made about what to call the contemporary cultural and artistic era, beyond simply the contemporary— remodernism, performatism, hypermodernism, automodernism, renewalism, altermodernism, digimodernism, or metamodernism—the idea of a postmodern condition, most memorably offered by Jean-François Lyotard in La Condition Postmoderne: Rapport Sur Le Savoir (1979), can still function as an analytical gambit not just for considering the contemporary scene for the art of satire, but perhaps also for evaluating satirical works produced in the United States since so-called black humor flourished in the 1960s.2 The entanglement of basic terms complicates how to name the moment supposedly separating the postmodern from a new contemporary era of social relations and aesthetic concerns. The distinction between modern and postmodern registers as ambiguously as anything claiming to supplant the postmodern, given the persistence of modernism in many of its would-be supplanters.3 The Quantum Paradox of Truthiness