The Use of Digital Advancement Technology in Protecting the Longmen Grottoes Art
The Use of Digital Advancement Technology in Protecting the Longmen Grottoes Art
复制标题
数字化先进技术在龙门石窟艺术保护中的应用
DOI：
10.1088/1742-6596/1875/1/012011
复制
发表时间：
2021
期刊：
影响因子：
--
通讯作者：
Velu Perumal
中科院分区：
文献类型：
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作者：
Xiaoshu Li;M. J. Mohd Yusof;S. Hiong;Velu Perumal
龙门石窟是中国四大石窟之一，已被列入《世界遗产名录》，其发掘时间长达四百年，历经六个不同的朝代。由于出土时代的不同，每一个洞或龛中的这尊佛像在服饰、面相、体型等方面都有其独特之处。由于风、雨、霜、雪的气候变化，许多佛像已经失去了原貌。因此，本研究的目的是利用现代数字修复技术来恢复这些石窟，以便使更多的人能够通过互联网欣赏这些艺术类型。这种方法不仅可以减少二次破坏，而且可以让人们通过互联网更好地了解和欣赏石窟艺术。此外，通过这次修复，可以了解破碎佛像的完整历史，更可以探索中国古代的文化。对这些石窟佛像的数字化修复主要采用了数字虚拟修复的现代技术手段和详实的研究资料，用虚拟技术再现了真实的事物无法追溯的庄严法像。通过对不同朝代有代表性的佛龛中佛像的服饰、面部、体型等进行数字仿真分析。数字化技术修复佛像不仅避免了佛像的破坏，也是对石窟艺术的修复和保护。
Longmen Grottoes, one of the four major grottoes in China, has been listed on the “World Heritage List” and its excavated time was as long as four hundred years ago, which had gone through six different dynasties. Due to the different excavated times, this Buddha statue in each hole or niche has its unique features in clothing, face, body shape and other aspects. Due to climatic changes of wind, rain, frost, and snow, many of these Buddha statues have lost their original appearance. Hence, this study aims to use modern digital restoration technology to restore these grottoes in order enabling many people to appreciate these type of arts through the internet. This method will not only reduce the secondary destruction, but also may allow people to understand and appreciate better the grotto art through the internet. Furthermore, through this restoration, the complete history from a broken Buddha statue can be learned, and even more the culture of ancient China can be explored. The digital restoration of these grotto Buddha statues mainly adopts the modern technological means and detailed research materials of digital virtual restoration, the solemn dharma images that the real thing cannot be traced back are reproduced by virtual technology. The digital simulation is carried out by analyzing the apparel, face, and figure of the Buddha statues in the representative niches of different dynasties. The digital technology for restoring the Buddha statues not only avoids destruction of the Buddhas but also can be seen as efforts in restoring and protecting the grotto art.