Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament
Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament
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文化美学：文艺复兴文学与社会装饰实践
DOI：
10.2307/3733183
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发表时间：
1993
影响因子：
--
通讯作者：
Patricia Fumerton
中科院分区：
文献类型：
--
作者：
Marion Wynne;Patricia Fumerton
《文化美学》是对文艺复兴主体性的后现代批判，它探讨了16世纪末17世纪初贵族“自我”的同时形成和破碎。帕特丽夏富默顿将自我置于其华丽的“琐碎”艺术阵列中，包括骑士浪漫，十四行诗和面具的宫廷文学以及建筑艺术，微型绘画，舞台设计和烹饪。她对历史主义和美学观点的整合使其对文艺复兴时期文化研究的活跃领域做出了具有挑衅性的贡献。
A brilliant postmodern critique of Renaissance subjectivity, "Cultural Aesthetics" explores the simultaneous formation and fragmentation of aristocratic "selfhood" in the late sixteenth and early seventeenth centuries. Patricia Fumerton situates the self within its sumptuous array of "trivial" arts-including the court literatures of chivalric romance, sonnet, and masque and the arts of architecture, miniature painting, stage design, and cuisine. Her integration of historicist and aesthetic perspectives makes this a provocative contribution to the vigorous field of Renaissance cultural studies.