The participation myth

The participation myth
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参与神话

DOI:
10.1080/10286632.2015.1027698
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发表时间:
2015
影响因子:
1.8
通讯作者:
Jancovich L
Jancovich L
中科院分区:
法学3区
文献类型:
--
作者:
Jancovich L

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十多年来,围绕着增加艺术参与的战略和价值的政策言论在国际上得到了很好的记录。但在英国,这是本文的重点,增加参与的目标一直没有实现,那些参加文化活动和他们的社会经济地位之间仍然存在直接的相关性。这篇文章的出发点是研究增加艺术参与的障碍,并质疑这种政策在英国背景下的实施方式,这可能与其他国家的政策制定有关。所显示的是,政策的执行受到接受资助者的既得利益的影响,并且来自强大的文化精英的一小部分声音参与了艺术决策。这篇文章提出了扩大决策中听到的声音范围的理由,以支持艺术实践和公众参与。
Policy rhetoric around strategies to and the value of increasing participation in the arts has been well documented internationally over more than a decade. But in the UK, which is the focus for this article, targets to increase participation have been consistently missed and there remains a direct correlation between those taking part in cultural activity and their socio-economic status. The starting point for this article is to examine the barriers to increasing participation in the arts and question the way that such policy has been implemented within the English context, which may have relevance for policy-making in other countries. What is demonstrated is that policy implementation is influenced by vested interest of those in receipt of funding and that a narrow range of voices, from a powerful cultural elite, are involved in the decision-making in the arts. The article makes a case for widening the range of voices heard in decision-making in order to support both artistic practice and public engagement.
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发表时间: 2008
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