John Maynard Keynes, the Bloomsbury group and the origins of the arts council movement
John Maynard Keynes, the Bloomsbury group and the origins of the arts council movement
复制标题
约翰·梅纳德·凯恩斯、布鲁姆斯伯里团体和艺术理事会运动的起源
DOI：
10.1080/1028663042000255817
复制
发表时间：
2004
影响因子：
1.8
通讯作者：
A. Upchurch
中科院分区：
文献类型：
--
作者：
A. Upchurch
本文探讨了艺术理事会运动的起源在布卢姆斯伯里集团和约翰梅纳德凯恩斯的思想。布卢姆斯伯里集团的实验感和灵活性、他们采取行动创建新机构的意愿以及他们对官僚机构的不信任，影响了凯恩斯在1946年制定了国家赞助艺术的新模式。他带领一个在第二次世界大战期间成立的组织，雇用艺术家并组织鼓舞士气的表演和视觉艺术图尔斯之旅，并监督其发展成为英国艺术理事会，这是第一个这样的艺术理事会。他的模式--通过半自治的政府机构向私人和私人经营的艺术机构赠款公共资金--在世纪末成为世界上许多国家公共艺术资助的标准形式。
The article examines the origins of the arts council movement in the ideas of the Bloomsbury Group and John Maynard Keynes. The Bloomsbury Groups' sense of experimentation and flexibility, their willingness to take action to create new institutions, and their distrust of bureaucracy, influenced Keynes's development of a new model for state patronage of the arts in 1946. He took an organization established during the Second World War to employ artists and organize morale‐boosting tours of the performing and visual arts, and oversaw its development into the Arts Council of Great Britain, the first such arts council. His model – making grants of public funds through semi‐autonomous government bodies to private individuals and privately operated arts institutions – became a standard form of public funding for the arts by the end of the twentieth century in many countries around the world.