Remembering Forbidden Memories: Community Theatre and the Politics of Memory
Remembering Forbidden Memories: Community Theatre and the Politics of Memory
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记住被禁止的记忆：社区剧院和记忆的政治
DOI：
10.1080/13504630600744112
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发表时间：
2006
影响因子：
0.9
通讯作者：
S. Lev
中科院分区：
文献类型：
--
作者：
S. Lev
本文展示了社区剧场如何使边缘群体重新回忆他们被禁止的记忆，从而重新形成他们被封锁的文化历史。在这里，我重点关注以色列的米兹拉希集团（来自阿拉伯国家的犹太人），以及它利用社区剧院作为表达自己记忆和历史的策略的方式。为了介绍社区剧院作为一个特殊的替代记忆的做法在边缘化的社区，我在这里一起提出三种替代记忆系统：反记忆，社区的记忆，和表演历史，并显示其连接到社区剧院。然后，我分析了三个社区戏剧作品，目前社区戏剧作为一种流行的表演历史形式，通过米兹拉希演员产生了一个反记忆，有助于巩固他们的社区成为一个社区的记忆。
This article demonstrates how community theatre enables marginalized groups to re-member their forbidden memories and thus re-form their blocked cultural histories. I focus here on the Mizrahi group (Jews originating from Arab countries) in Israel and the way it appropriates community theatre as a tactic to articulate its own memories and history. In order to introduce community theatre as a particular alternative mnemonic practice within marginalized communities I present here together three alternative remembering systems: countermemory, community of memory, and performing history and show their connection to community theatre. I then analyse three community theatre productions which present community theatre as a popular form of performing history through which the Mizrahi actors produced a countermemory that contributed to the consolidation of their community into a community of memory.