Cinéma-monde, Jacques Audiard's Les Frères Sisters and the limits of national cinemas

Cinéma-monde, Jacques Audiard's Les Frères Sisters and the limits of national cinemas
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世界电影、雅克·奥迪亚的《兄弟姐妹》和国家电影院的局限性

DOI:
10.1080/26438941.2021.2003109
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发表时间:
2021
影响因子:
0.2
通讯作者:
King G
King G
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作者:
King G

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2019年,雅克·奥迪亚德的第八部故事片《兄弟姐妹篇》获得九项凯撒奖提名,并成为法国电影联盟和法国电影联盟的头条新闻。然而,Les Frères姐妹篇/The姐妹篇兄弟(2018)没有法语对话,演员,设置或拍摄地点。事实上,越来越多的近期电影被国家电影机构贴上了法国的标签,从CNC到UniFrance和Césars学院,尽管很少有明显的“法国”特征。本文通过电影世界的透镜,分析了一系列跨国、跨文化和跨语言的案例研究,这些案例研究以法语发行,集中于《兄弟姐妹篇》。在保持与法语圈的联系的同时,电影世界在范围上是跨国的,它改变了国家电影院的惯例,突出了“一个灵活的电影语料库,这些电影通过语言或文化亲和力、地理联系、生产联系或接收网络的某种组合与法语世界联系在一起”。本文利用电影世界来思考《姐妹兄弟》等电影是如何在国家电影院的框架内继续生产、发行、消费和评判的,但也得出结论,这种框架不足以充分理解这些电影以及它们在世界上的运作方式。
In 2019, Jacques Audiard’s eighth feature film,Les Frères Sisters, was nominated for nine César awards and headlined both the UniFrance and Alliance Française French Film Festivals. HoweverLes Frères Sisters/The Sisters Brothers(2018) features no French dialogue, actors, settings or filming locations. Indeed, a growing number of recent films are being labelled as French by national cinema bodies ranging from the CNC to UniFrance and the Césars Academy, despite few clearly ‘French’ characteristics. This article analyses a selection of transnational, transcultural and translingual case studies which have been distributed as French, concentrating onLes Frères Sisters, through the lens of cinéma-monde. Transnational in scope while maintaining connections to the Francosphere, cinéma-monde bends the conventions of national cinemas to foreground ‘a flexible corpus of films that are linked to the francophone world by some combination of linguistic or cultural affinities, geographic contacts, production connections, or reception networks’. The article uses cinéma-monde to consider how films such asLes Frères Sisterscontinue to be produced, distributed, consumed and judged within the frameworks of national cinemas, but also to conclude that such frames are insufficient to fully understand these films and how they operate in the world.