A World Art History And Its Objects
A World Art History And Its Objects
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世界艺术史及其对象
DOI：
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发表时间：
2008
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影响因子：
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通讯作者：
D. Carrier
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作者：
D. Carrier
写世界艺术史可能吗？艺术史本身是否存在于西方传统之外？有没有可能以一种从根本上不以欧洲为中心的方式来考虑艺术史？在这本可读性极强、发人深省的书中，哲学家兼艺术史学家大卫·开利本人并不试图撰写一部世界艺术史。相反，他提出的问题是，如何写一部涵盖所有文化的艺术史--或者说，是否有可能这样做。他还参与了多元文化艺术史的想法所提出的政治和道德问题。Carrier专注于考虑交叉的艺术传统，讨论了当一种文化的视觉对象插入另一种文化的视觉传统时，意义和理解的转变或改变的方式。“世界艺术史及其对象”提出使用时间叙事作为开始理解多元文化艺术史的一种方式。
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written - or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. "A World Art History and Its Objects" proposes the use of temporal narrative as a way to begin to understand a multicultural art history.