A DEFINITION OF AUTHENTICITY CONCEPT IN CONSERVATION OF CULTURAL LANDSCAPES

A DEFINITION OF AUTHENTICITY CONCEPT IN CONSERVATION OF CULTURAL LANDSCAPES
复制标题

文化景观保护真实性概念的定义

DOI：
10.26687/archnet-ijar.v9i1.473
复制
发表时间：
2015
期刊：
影响因子：
--
通讯作者：
Dorna Eshrati
Dorna Eshrati
中科院分区：
--
文献类型：
--
作者：
S. F. Nezhad;Parastoo Eshrati;Dorna Eshrati

文献摘要

被引文献

相似文献

文化景观可以定义为人类与自然随着时间的推移相互作用的结果，从而形成了多种多样的价值层次。目前，教科文组织世界遗产中心在其他科学协会中发挥着独特的作用。近年来，世界遗产中心致力于制定文化景观评估和管理的框架和措施。此外，作为文化景观价值和意义的传递者，真实性概念被认为是文化景观保护过程中的关键组成部分。许多科学资源都指出了在保护文化景观的过程中真实性的重要性。然而，在保护文化景观的领域内，真实性的作用却很少受到关注。其中一个主要原因可能是教科文组织的传统定义与国际文件关于真实性的定义之间缺乏适应性，无法将世界各地文化景观的灵活和动态结构包括在内。因此，本文试图探索和发展一个灵活的框架，以重新定义与教科文组织定义有一些重叠的文化景观的真实性的概念，尽管它的差异。为了发展这一框架，伊朗伊斯兰哲学的Mollasadra应用和描述在伊朗的文化景观的一些例子。
Cultural landscape can be defined as the result of human interaction with nature over time, which has led to the formation of the many and diverse layers of value. Currently, the UNESCO World Heritage Centre has a unique role among other scientific associations. In recent years, the World Heritage Center has put efforts into developing a framework and measures for evaluation and management of cultural landscapes. Moreover, the concept of authenticity; as the transmitter of values and significance of cultural landscape, is considered as the key component in the process of cultural landscape conservation. A lot of scientific resources have pointed out the importance of authenticity in the process of conserving cultural landscapes. However, the role of authenticity within the domain of conservation of cultural landscapes has received little attention. One of the main reasons can be lack of adaptation between conventional definitions of UNESCO and international documents concerning the authenticity for including the flexible and dynamic structure of cultural landscapes around the world. Therefore, this paper seeks to explore and develop a flexible framework in order to redefine the concept of authenticity in relation to cultural landscapes, which has some overlaps with UNESCO definitions despite its differences. For developing this framework, Iranian-Islamic philosophy of Mollasadra is applied and described with some examples of cultural landscapes in Iran.