Singing and Speaking in Early Twentieth-Century Zarzuela : The Evidence from Early Recordings
Singing and Speaking in Early Twentieth-Century Zarzuela : The Evidence from Early Recordings
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二十世纪初扎苏埃拉的歌唱和演讲:来自早期录音的证据
DOI：
10.1080/01411896.2021.2021514
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发表时间：
2022
影响因子：
0.3
通讯作者：
Moreda Rodríguez E
中科院分区：
文献类型：
--
作者：
Moreda Rodríguez E
这篇文章利用了三十年来的记录证据（从第一个蜡筒在十九世纪末，到20世纪20年代和30年代初的第一个电子录音），以研究在西班牙语zarzuela使用的两种声音产生模式：一个负债歌剧演唱，其特点是音色修改和广泛的颤音;而另一种则与流行的娱乐形式有关，基于低喉位置和清晰的发音。远不是构成一个严格的二分法，本文讨论了如何语音生产的两种模式共存，并结合在一般的指导原则，沟通文本表达，确认-作为最近的史学研究所建议的-zarzuela的地位，作为一个混合体裁能够吸收一些影响。文章还讨论了这两种生产方式中的前一种如何在所研究的时期结束时变得更加普遍，并考虑了记录技术在这一过程中的影响。
The present article draws upon thirty years of recorded evidence (from the first wax cylinders made in the late nineteenth century, to the first electrical recordings of the 1920s and early 1930s) to study two modes of voice production used in Spanishzarzuela: one indebted to operatic singing, characterized by timbral modification and widespread vibrato; and another one more connected to popular forms of entertainment, based on a low-larynx position and clear enunciation. Far from constituting a rigid dichotomy, this article discusses how both modes of voice production coexisted and were combined within the general governing principle of communicating text expressively, confirming—as has been suggested by recent historiographical research—zarzuela’sstatus as a hybrid genre able to absorb a number of influences. The article also discusses how the former of these two modes of production became more widespread at the end of the period under study, and considers the influence of recording technologies in this process.