The Future of Ruins: The Baroque Melancholy of Hashima
The Future of Ruins: The Baroque Melancholy of Hashima
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废墟的未来：羽岛的巴洛克忧郁
DOI：
10.1068/a46179
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发表时间：
2014
期刊：
影响因子：
--
通讯作者：
Lavery C
中科院分区：
文献类型：
--
作者：
Lavery C
在这里，我们展示了我们的理论/创意写作项目Hashima的迭代，该项目始于2012年。这篇论文是一次合作，借鉴了表演理论家、地理学家和视觉艺术家的不同话语、实践和情感。对我们来说，位于日本长崎海岸外的桥岛，曾经是强迫劳动和近海密集采煤的地方，是一种实验的挑衅。不出所料，被剥削和卑鄙的桥岛受到了艺术家、摄影师、城市探险家和废墟爱好者的恋物癖的关注。这里的逻辑是控制表现，并确定和固定岛屿的意义，总是参照其他东西和其他地方。矛盾的是，在这些废墟的表现中没有时间感或变形感；时间已经停止在一幅图像中。相比之下，我们想要把桥岛的寓言价值表现出来，而不是作为一个失落的地方，而是作为一个巴洛克式的、被炸毁的怪兽景观，抵制并前沿这种将历史崩塌到自然中的趋势。在下面，我们先介绍这个岛，然后转向沃尔特·本雅明关于德国巴洛克悲剧的著作的注释，以展示代表性本身是如何通过与巴洛克的两个主要拓朴--废墟和迷宫--的物质遭遇而受到玷污的。为了做到这一点，我们以一个创造性的叙事和两张图片来说明我们的方法。
Here, we present an iteration of our theoretical/creative writing projectHashima, begun in 2012. The paper is a collaboration and draws on the different discourses, practices and sensibilities of a performance theorist, a geographer, and a visual artist. For us, Hashima, located off the coast of Nagasaki, Japan, and a former site of forced labor and intensive offshore coal-mining, is a provocation for experimentation. Hashima, exploited and abject, has offered itself, unsurprisingly, to the fetishistic gaze of artists, photographers urban explorers, and ruin enthusiasts. The logic here is to control representation, and to determine and fix the meaning of the island as always in reference to something else and elsewhere. Paradoxically, there is no sense of temporality or transformation in these representations of ruins; time has been stopped in an image. By contrast, we want to draw out the allegorical value of Hashima not as a site of loss, but as a baroque, blasted landscape of monstrous becomings that resists, and forefronts, this tendency to collapse history into nature. In the following, we introduce the island before turning to an exegesis of Walter Benjamin's writing on German baroque tragedy in order to demonstrate how representation itself becomes tainted through a material encounter with the baroque's two primarytopoi, the ruin and the labyrinth. To do this, we finish with a creative narrative and two images illustrating our methodology.
追求时间：迈向忧郁的政治
DOI：
--
发表时间：
1998
期刊：
影响因子：
--
作者：
S. Lash
通讯作者：
S. Lash