Comparison of English portrait miniatures using Raman microscopy and other techniques
Comparison of English portrait miniatures using Raman microscopy and other techniques
复制标题
使用拉曼显微镜和其他技术对英国肖像微缩模型进行比较
DOI：
10.1002/jrs.4133
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发表时间：
2012
影响因子：
2.5
通讯作者：
A. Derbyshire
中科院分区：
文献类型：
--
作者：
L. Burgio;A. Cesaratto;A. Derbyshire
使用拉曼显微镜和光学显微镜对维多利亚和阿尔伯特博物馆收藏的十八幅英国肖像微型画进行了分析。大多数作品被认为是列维娜·蒂尔林克 (Levina Teerlinc)、尼古拉斯·希利亚德 (Nicholas Hilliard) 和艾萨克·奥利弗 (Isaac Oliver) 等知名艺术家的作品，但也有一些作品的出处不确定。每个细密画都经过详细检查，以描绘艺术家所使用的调色板的特征，不仅关注材料的特性，还关注颜料颗粒的形状、大小和分布。不同区域使用的不同混合物，例如用于肤色、嘴唇和深色相貌细节的康乃馨，有助于作者区分不同的细密画家。这种方法与保护、策展和艺术史专业知识相结合，被用来为三幅细密画提供归属建议，而此前艺术家对此并不确定或有争议。这种类型的分析应该扩展到更多来自同一时期和地理来源的微缩模型，以建立更强大的数据库并达到统计上显着的样本量。 © 2012 维多利亚和阿尔伯特博物馆拉曼光谱杂志 © 2012 John Wiley & Sons, Ltd.
Eighteen English portrait miniatures from the Victoria and Albert Museum collection were analysed using Raman microscopy and optical microscopy. Most had been attributed to well-known artists such as Levina Teerlinc, Nicholas Hilliard and Isaac Oliver, but there were some of uncertain attribution. Each miniature was examined in detail in order to characterise the palette used by the artists, paying attention not only to the identity of the materials but also to the shape, size and distribution of the pigment particles. The different mixtures used in various areas, such as the carnation, used for the skin tones, lips and dark physiognomic detail helped the authors to distinguish between different miniaturists. This approach, associated with conservation, curatorial and art historical expertise, was used to suggest an attribution for three miniatures where previously the artist was uncertain or disputed. This type of analysis should be extended to a larger number of miniatures from the same period and geographical provenance in order to build up a stronger database and reach a statistically significant sample size. © 2012 Victoria and Albert Museum Journal of Raman Spectroscopy © 2012 John Wiley & Sons, Ltd.