Architekture and Teklife in the Hyperghetto: The Sonic Ecology of Footwork

Architekture and Teklife in the Hyperghetto: The Sonic Ecology of Footwork
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Hyperghetto 中的建筑和 Teklife:步法的声波生态学

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发表时间:
2016
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通讯作者:
D. S. Brar
D. S. Brar
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文献类型:
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作者:
D. S. Brar

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本文分析了“Footwork”(一种起源于芝加哥南部和西部的电子舞曲形式,现在也是更广泛的舞曲音乐文化网络中的一个主要流派),提出了有关“Footwork”作为黑人音乐的构成的论点。作者着眼于反映其“贫民窟”音乐地位的组织、社会、地理和美学动态,认为其黑人性问题需要从《Footwork》的声音和表演品质标志着城市种族和阶级的空间和领土模式的集体重新概念化的方式来理解。
Analyzing “Footwork,” a form of electronic dance music local to South and West Chicago, and now also a major genre within the wider networks of dance music culture, this article presents an argument regarding the constitution of Footwork as black music. Focusing on the organizational, social, geographic, and aesthetic dynamics that reflect its status as “ghetto” music, the author makes the case that the question of its blackness needs to be understood in terms of the way that the sonic and performative qualities of Footwork mark a collective reconceptualization of the spatial and territorial modalities of race and class in the city.