Museums and Digital Culture - New Perspectives and Research
Museums and Digital Culture - New Perspectives and Research
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博物馆和数字文化——新视角和研究
DOI：
10.1007/978-3-319-97457-6_13
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发表时间：
2019
期刊：
影响因子：
--
通讯作者：
Parry R
中科院分区：
文献类型：
--
作者：
Parry R
本章调查了五十年来的实践档案材料，并利用了来自数字研究、设计研究和残疾研究的多学科理论观点，使用了一种思想历史的形式，以证据围绕“数字用户”结构的语言习惯和参考框架的变化，既连续又持久：从用户作为“操作员”（设置在组织效率的系统导向背景下）；将用户视为“个体”（在可用性和体验设计的优先级中）；到今天，作为“行动者”的用户（与之相对的是社会价值和代理是成功的新指标）。在这些不同的结构中，“数字用户”从系统的一部分转变为系统外部，再转变为世界，同时其主要能力从自动化转变为个性化，再转变为授权。至关重要的是，本文提出无障碍设计（特别是考虑到残疾的数字设计）的作用既是这种变化的关键信息提供者和鼓动者，也是这种发展最有效的实践。
Surveying archival material from across fifty years of practice, and leveraging multi-disciplinary theoretical perspectives from digital studies, design studies and disability studies, this chapter uses a form of ideational history, to evidence shifting linguistic habits and frames of reference around the construct of the ‘digital user’, at once both sequential and enduring: from the user as ‘operator’ (set within a system-orientated context of organizational efficiency); to the user as ‘individual’ (amidst priorities of usability and experience design); to—emerging today—the user as ‘actant’ (against which social value and agency are the new indices of success). In these different constructions, the ‘digital user’ moves from being part of the system, to outside system, to in the world, whilst its principal capability shifts from automation, to personalization to empowerment. Crucially, it is proposed here that it has been the role of accessible design (in particular, the design of digital with disability in mind) that has acted both as a key informant and agitator of this change, but also the practice through which this development can most usefully be seen.