Artificial Intelligence and Music: Open Questions of Copyright Law and Engineering Praxis
Artificial Intelligence and Music: Open Questions of Copyright Law and Engineering Praxis
复制标题
DOI：
10.3390/arts8030115
复制
发表时间：
2019-09-01
期刊：
影响因子：
0.5
通讯作者：
Gomez, Emilia
中科院分区：
文献类型：
--
作者：
Sturm, Bob L. T.;Iglesias, Maria;Gomez, Emilia
人工智能（AI）在音乐中的应用可以追溯到几十年前，并为各种用途提供了许多独特的机会，例如从大量商业档案中推荐录制的音乐，或（半）自动创作音乐。由于对音乐数据的无与伦比的访问和在高性能计算硬件上运行的有效学习算法，人工智能现在正在一个完全植根于人类创造力的领域产生令人惊讶的结果-更不用说地球仪的收入来源了。这些发展要求我们密切关注正在发生的事情，并考虑它是如何变化的，以及如何改变我们与音乐的关系。本文从两个角度来看待人工智能在音乐中的应用：版权法和工程实践。它的讨论基于人工智能在音乐创作中的特定应用的开发和使用，这引发了进一步的和意想不到的问题。本文中收集的大多数问题都是开放的，因为它们的答案目前还不清楚，但随着人工智能技术的发展和更广泛地应用于音乐，更不用说其他以人类创造力为中心的领域，它们仍然是重要的。
The application of artificial intelligence (AI) to music stretches back many decades, and presents numerous unique opportunities for a variety of uses, such as the recommendation of recorded music from massive commercial archives, or the (semi-)automated creation of music. Due to unparalleled access to music data and effective learning algorithms running on high-powered computational hardware, AI is now producing surprising outcomes in a domain fully entrenched in human creativity-not to mention a revenue source around the globe. These developments call for a close inspection of what is occurring, and consideration of how it is changing and can change our relationship with music for better and for worse. This article looks at AI applied to music from two perspectives: copyright law and engineering praxis. It grounds its discussion in the development and use of a specific application of AI in music creation, which raises further and unanticipated questions. Most of the questions collected in this article are open as their answers are not yet clear at this time, but they are nonetheless important to consider as AI technologies develop and are applied more widely to music, not to mention other domains centred on human creativity.