Towards a Formalization of Musical Rhythm
Towards a Formalization of Musical Rhythm
复制标题
迈向音乐节奏的形式化
DOI：
10.5281/zenodo.4245508
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发表时间：
2020
期刊：
影响因子：
2.3
通讯作者：
M. Rohrmeier
中科院分区：
文献类型：
--
作者：
M. Rohrmeier
时间性是音乐的核心，具有节奏和韵律结构的演奏构成了跨越音乐风格和流派的主要手段。节奏和韵律结构是紧密交织在一起的，特别是在音调习语中。虽然已经有许多方法来建模音乐的克里思，节拍和节拍及其推理，音乐节奏及其复杂性已经被探索和正式建模。该模型阐述了符号节奏音乐结构及其内部递归子结构的生成语法。该方法的特点是节奏组对齐米的递归细分的时间单位，以及建立递归操作，如准备和不同种类的转移（如预期和延迟）的依赖关系。该模型是制定在一个抽象的上下文无关的语法，并适用于单音节奏和和声节奏。
Temporality lies at the very heart of music, and the play with rhythmic and metrical structures constitutes a major device across musical styles and genres. Rhythmic and metrical structure are closely intertwined, particularly in the tonal idiom. While there have been many approaches for modeling musical tempo, beat and meter and their inference, musical rhythm and its complexity have been comparably less explored and formally modeled. The model formulates a generative grammar of symbolic rhythmic musical structure and its internal recursive substructure. The approach characterizes rhythmic groups in alignment with meter in terms of the recursive subdivision of temporal units, as well as dependencies established by recursive operations such as preparation and different kinds of shifting (such as anticipation and delay). The model is formulated in terms of an abstract context-free grammar and applies for monophonic rhythms and harmonic rhythm.
节奏直方图和音律：马里打击乐的语料库研究
影响因子：
3.5
作者：
London;Justin;Rainer;Jacoby
通讯作者：
Jacoby