The New Film History as Media Archaeology
The New Film History as Media Archaeology
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作为媒体考古学的新电影史
DOI：
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发表时间：
2005
期刊：
影响因子：
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通讯作者：
T. Elsaesser
中科院分区：
文献类型：
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作者：
T. Elsaesser
这篇文章评估了数字技术对我们理解电影史的影响。虽然《新电影史》重振了对电影“起源”的研究，但它还没有证明自己在分析随后的世纪之交的多媒体连接方面同样成功。面对这一挑战，本文提出了一种新的史学模式--“媒介考古学”，以克服在当今媒介实践中动摇的“新”与“旧”媒介之间的对立。视听体验领域需要重新绘制，澄清什么是体现、界面、叙述、解释，并为研究视听处置的非娱乐性用途提供新的动力。
The article assesses the impact of digital technologies on our understanding of film history. While the “New Film History” has revitalized the study of the cinema’s “origins,” it has not yet proven itself equally successful in analyzing the subsequent turn-of-the-century multi-media conjuncture. Faced with this challenge, the essay makes a case for a new historiographical model, “Media Archaeology,” in order to overcome the opposition between “old” and “new” media, destabilized in today’s media practice. The field of audio-visual experience needs to be re-mapped, clarifying what is meant by embodiment, interface, narrative, diegesis, and providing new impulses also for the study of non-entertainment uses of the audio-visual dispositif.