Slow violence, over-indebtedness, and the politics of (in)visibility: Stories and creative practices in pandemic times

Slow violence, over-indebtedness, and the politics of (in)visibility: Stories and creative practices in pandemic times
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缓慢的暴力、过度负债和可见性的政治:大流行时期的故事和创造性实践

DOI:
10.1016/j.polgeo.2023.102842
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发表时间:
2023
影响因子:
4.1
通讯作者:
Brickell K
Brickell K
中科院分区:
法学1区
文献类型:
--
作者:
Brickell K

文献摘要

相似文献

在本文中,我分享的见解和想法的“做”的创造性实践,代表和交流生活的经验,缓慢的暴力。回顾我在柬埔寨参与的两项UKRI GCRF研究,这两项研究都利用了创造性实践的方法,我特别关注过度负债在COVID-19大流行期间(但也早于COVID-19大流行)对服装工人和农民的缓慢暴力影响。本文有意为这些研究中的电影和肖像摄影“腾出空间”,以供观看和欣赏-目的是鼓励政治地理学家更加适应并拥抱创造性实践的“实践”。他们一起展示了第一如何“做”的创造性实践可以深化和增加新的层面,越来越多的工作体现的关系和暂时性的债务和过度负债。其次,本文提供的见解强调了关心,责任和信任在地理知识创造和管理与缓慢暴力有关的研究项目的伦理重要性。本文最终印象的双重价值的“做”的创造性的实践和它的无数的政治,并更加关注什么可以通过创造性的实践本身的政治地理学的缓慢暴力在人们的生活中遇到的。
In this paper I share insights and thoughts on the ‘doing’ of creative practice for representing and communicating lived experiences of slow violence. Reflecting on two UKRI GCRF studies I have been part of in Cambodia, and which both harnessed creative practice in their methodologies, I focus specifically on the slow violence of over-indebtedness effecting garment workers and farmers during, but also pre-dating, the COVID-19 pandemic. The paper intentionally ‘makes space’ for the films and portraiture photography from these studies to be viewed and exalted – the aim being to encourage political geographers to become more attuned to, and themselves embrace, the ‘doing’ of creative practice. Together they show first how the ‘doing’ of creative practice can deepen and add new dimensions to growing work on embodied relations and temporalities of debt and over-indebtedness. Second, the insights offered in this paper underscore the ethical importance of care, responsibility, and trust in geographical knowledge creation and the management of research projects concerned with slow violence. The paper ultimately impresses the dual value of the ‘doing’ of creative practice and its myriad politics, and being more attentive to what can be learned through creative practice itself about the political geographies of slow violence encountered in people's lives.