Eleven Mimetic Inclinations A Dialogue with Adriana Cavarero
Eleven Mimetic Inclinations A Dialogue with Adriana Cavarero
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十一种模仿倾向与阿德里亚娜·卡瓦雷罗的对话
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发表时间：
2021
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通讯作者：
N. Lawtoo
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作者：
Adriana Cavarero;N. Lawtoo
作为女权主义思想和性别差异思想中的杰出人物，阿德里亚娜·卡瓦雷罗无疑是国际舞台上最著名的意大利哲学家之一。 1 跨越政治和古典哲学、后结构主义和性别研究，甚至在与文学研究和艺术史的对话中，卡瓦雷罗的思想超越学科界限，关注内在的伦理和政治问题，而不是有限的历史时期或固定的理论。 范式。卡瓦雷罗经常与汉娜·阿伦特为伴，并与柏拉图列为其发起人的父权哲学传统进行批判性对话，撰写了关于人类脆弱性、叙事作用和主体性形成、恐怖主义、针对无助者的暴力等主题的有影响力的文章。她发展了一种关系本体论，它更关注出生而不是死亡，更关注与他人的关系，而不是一个自主和自我中心的主体。她出版的多语言作品包括《Nonostante Platone》(1990)、《Corpo infigure》(1995)、《Tu che mi Guardi, tu che mi racconti》(1997)、《A più voci》(2003)、《Orrorismo》(2007)，以及最近的《Inclinazioni: Critica della rettitudine》(2013)。2 以下采访发生在维罗纳，卡瓦雷罗曾在那里任教数次 年。我们从她最近的一本著作《倾向》开始，然后就一个概念进行了对话，这个概念与“声音”、“故事”、“庄严的身体”或毁容的“恐怖主义”不同，并不经常或明确地出现
A prominent figure within feminist thought and the thought of sexual difference, Adriana Cavarero is undoubtedly one of the most renowned Italian philosophers on the international scene.1 Across political and classical philosophy, poststructuralism and gender studies, and even in dialogue with literary studies and art history, Cavarero’s thought transgresses disciplinary boundaries to focus on immanent ethical and political problems rather than on delimited historical periods or fixed theoretical paradigms. Often in the company of Hannah Arendt and in critical dialogue with a patriarchal philosophical tradition that lists Plato among its initiators, Cavarero has written influential essays on the theme of human vulnerability, on the role of narrative and the formation of subjectivity, on terrorism, on violence against the helpless. She has developed a relational ontology that is more attentive to birth than death, and to the relationship with the other instead of an autonomous and egocentric subject. Among her published works, translated in various languages, are Nonostante Platone (1990), Corpo in figure (1995), Tu che mi guardi, tu che mi racconti (1997), A più voci (2003), Orrorismo (2007), and, more recently, Inclinazioni: Critica della rettitudine (2013).2 The following interview took place in Verona, where Cavarero taught for several years. We began with one of her more recent books, Inclinations, and proceeded to a dialogue about a concept that, unlike “voice,” “story,” “stately bodies,” or disfiguring “horrorism,” does not appear often or explicitly