Picturing and Meta-Linguistic Expressivism *
Picturing and Meta-Linguistic Expressivism *
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图像和元语言表现主义*
DOI：
10.14989/226253
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发表时间：
2016
期刊：
影响因子：
--
通讯作者：
Naozumi Mitani
中科院分区：
文献类型：
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作者：
Naozumi Mitani
在这篇文章中，我将挖掘威尔弗里德·塞拉斯留给我们的丰富的哲学资源，并阐明它在何种意义上仍然值得我们关注。首先，我将重点关注露丝·密立根（Ruth Millikan）对塞拉斯绘画思想的解读，并对其进行详细考察。其次，我认为密立根对塞拉斯的解读在一个关键点上与塞拉斯原来的立场背道而驰，这导致她的论点暴露出其软肋。第三，我将在“绘画”和“全球表现主义”的标题下明确塞拉斯的原始版本在何种意义上值得我们密切关注。
In this article, I will excavate the rich philosophical resource that Wilfrid Sellars left us and explicate in which sense it still merits our attention. Firstly, I will focus on Ruth Millikan’s interpretation of Sellars’s idea of picturing and give it a detailed examination. Secondly, I will argue that Millikan’s reading of Sellars diverges from Sellars’s original position at one crucial point, which led her argument to show its soft underbelly. Thirdly, I will make explicit in which sense the original version of Sellars merits our close attention, under the rubric of “picturing” and “global expressivism”.