Taking fame to market: on the pre-history and post-history of Hollywood stardom, by Barry King, New York, Palgrave Macmillan, 2014, 256 pp., £132.95 (hardcover), ISBN 978-1-13-734427-4
Taking fame to market: on the pre-history and post-history of Hollywood stardom, by Barry King, New York, Palgrave Macmillan, 2014, 256 pp., £132.95 (hardcover), ISBN 978-1-13-734427-4
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将名声推向市场：论好莱坞明星的前史和后史，作者：巴里·金，纽约，帕尔格雷夫·麦克米伦，2014 年，256 页，132.95 英镑（精装），ISBN 978-1-13-734427-4
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发表时间：
2016
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通讯作者：
Sara Bakerman
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作者：
Sara Bakerman
同时接受历史场景和明星固有的流动性。他的结束语是，流行音乐似乎正在回到文化生活的边缘，这对我们所有人来说都是一种损失(第213页)，考虑到他的证据，这似乎很悲观，但也很现实。他对美国和英国明星的关注揭示了英语文化的主导地位，这种文化似乎正在随着互联网驱动的全球化和音乐数字化而改变。沙姆威20世纪60年代的两支摇滚明星乐队--滚石乐队和感恩死亡乐队--跻身2015年票房最高的演唱会榜单，他们的“光环”仍然吸引着粉丝。艾德·希兰、泰勒·斯威夫特和单向乐队等较新上榜的艺人能否超越名人地位，成为沙姆威标志性的摇滚明星，这是一个历史问题，也是一个猜测。
whilst accepting the fluidity inherent in historicising scenes and stars. His closing line that ‘popular music appears to be headed back to the margins of cultural life, and that is a loss for us all’ (p. 213) seems pessimistic yet realistic considering his evidence. His focus on American and British stars reveals the domination of an anglophone culture that seems to be changing with the Internet-driven globalisation and digitisation of music. Two of Shumway’s 1960s rock star acts, The Rolling Stones and The Grateful Dead, feature in the highest grossing concert draws of 2015, their ‘aura’ still pulling fans. Whether more recent artists on the list such as Ed Sheeran, Taylor Swift and One Direction can transcend celebrity status and become Shumway’s iconic rock stars is a matter of history and conjecture.