Samuel Solomonovich Koteliansky and British Modernism
Samuel Solomonovich Koteliansky and British Modernism
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塞缪尔·索罗门诺维奇·科捷利安斯基与英国现代主义
DOI：
10.3366/tal.2011.0035
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发表时间：
2011
影响因子：
0.1
通讯作者：
Claire Davison
中科院分区：
文献类型：
--
作者：
Claire Davison
本文探讨S·S·科特连斯基作为文化调解人，不仅参与了俄语经典著作的翻译，还参与了战略营销策略和革命后的激进主义，塑造了20世纪初伦敦的文化态度。它从他在白厅、威斯敏斯特和布鲁姆斯伯里的关系网开始，然后评估了他要求作家翻译和出版他带到英国的文本的策略。然后转向合著翻译的诗学。1922年，陀思妥耶夫斯基与弗吉尼亚·伍尔夫合作翻译的陀思妥耶夫斯基的《附体》中被压制的章节《斯塔夫罗金的忏悔》中的简短摘录，揭示了一种明显的现代主义对声音的关注。
This article examines S. S. Koteliansky as cultural mediator involved not only in the translation of Russian classics, but in strategic marketing ploys and post-revolutionary activism, shaping the cultural attitudes of early twentieth-century London. It starts from his networks in Whitehall, Westminster, and Bloomsbury, before appraising the tactics of enjoining writers to translate and publish the texts he was bringing to Britain. It then turns to the poetics of co-authored translations. Brief extracts from ‘Stavrogin's Confession’, the suppressed chapters of Dostoevsky's The Possessed, translated in 1922 in collaboration with Virginia Woolf, reveal a distinctly modernist attention to voice.