A new treatise on accompaniment : with the harpsichord, the organ, and with other instruments
A new treatise on accompaniment : with the harpsichord, the organ, and with other instruments
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关于伴奏的新论文：与羽管键琴、管风琴和其他乐器的伴奏
DOI：
10.5860/choice.29-6205a
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发表时间：
1991
期刊：
影响因子：
--
通讯作者：
John S. Powell
中科院分区：
文献类型：
--
作者：
Michel de Saint;John S. Powell
1707年圣兰伯特的《新特征》（Nouveau traite de l' accitement de clavecin, de l'orgue, et des autres instruments）补充了他早期的大键琴专著《Les Principes du clavecin》（1702年）。《新风格》是一本专门为伴奏者而不是独奏者设计的方法书。它提供了实用的建议，以帮助伴奏者演奏正确的和声，而不必同时阅读所有的标记部分。圣兰伯特讨论了从无音阶和部分音阶低音的伴奏，他是第一个尝试将低音进程编入特定公式的人之一，他为此分配了适当的和声。他描述了可能偏离通常伴奏规则的情况，并研究了“有品味的”伴奏者使用的演奏技巧，以便创造出不仅正确而且艺术的伴奏。约翰鲍威尔提出圣兰伯特的文本在一个可读的英文翻译与音乐的例子在现代符号。他将圣兰伯特的文本以可读的英文翻译与现代记谱法的音乐示例进行了比较。他将圣兰伯特关于实现的概念与同时代的资料进行了比较并追溯了这篇论文对后来作者的影响
Saint Lambert's Nouveau traite de l'accompagnement de clavecin, de l'orgue, et des autres instruments of 1707 supplements his earlier harpsichord treatise, Les Principes du clavecin of 1702. The Nouveau traite is a method book specifically designed for the accompanist rather than the solo performer. It offers practical suggestions to help the accompanist play the correct harmony without having to read all the notated parts at the same time. Saint Lambert discusses accompanying from unfigured and partly figured basses, and his was one of the first attempts to codify bass progressions into specific formulas, for which he assigns appropriate harmonies. He describes possible departures from the usual rules of accompaniment and examines performance techniques used by "tasteful" accompanists in order to create not merely a correct but an artistic accompaniment. John Powell presents Saint Lambert's text in a readable English translation with musical examples in modern notation. He compares Saint Lambert's text in a readable English translation with musical examples in modern notation. He compares Saint Lambert's concepts of realization with those of contemporaneous sources and traces the influence of this treatise on later authors."