The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis
The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis
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作为乐器的声音空间：演奏基于语料库的串联合成
DOI：
10.5281/zenodo.1180593
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发表时间：
2012
期刊：
影响因子：
--
通讯作者：
Diemo Schwarz
中科院分区：
文献类型：
--
作者：
Diemo Schwarz
基于语料库的串联合成是一种相当新的声音合成方法，基于对任意数量的现有或现场录制的声音的描述符分析，并通过从数据库中选择匹配给定声音特征的声音片段来进行合成。它在文献中得到了很好的描述，但很少有人研究它作为音乐表达新界面的能力。这种检查的有趣结果是，实际的乐器是声音特征的空间，演奏者通过各种输入设备捕获的手势进行导航。我们将研究不同类型的交互模式和控制器（位置、惯性、音频分析）以及它们提供的手势，并根据多年的音乐经验，使用 CataRT 系统进行实时 CBCS 表演，对它们的音乐和表达能力进行批判性评估。
Corpus-based concatenative synthesis is a fairly recent sound synthesis method, based on descriptor analysis of any number of existing or live-recorded sounds, and synthesis by selection of sound segments from the database matching given sound characteristics. It is well described in the literature, but has been rarely examined for its capacity as a new interface for musical expression. The interesting outcome of such an examination is that the actual instrument is the space of sound characteristics, through which the performer navigates with gestures captured by various input devices. We will take a look at different types of interaction modes and controllers (positional, inertial, audio analysis) and the gestures they afford, and provide a critical assessment of their musical and expressive capabilities, based on several years of musical experience, performing with the CataRT system for real-time CBCS.