Chamber music and organization theory: some typical organizational phenomena seen under the microscope
Chamber music and organization theory: some typical organizational phenomena seen under the microscope
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室内乐与组织理论：显微镜下看到的一些典型组织现象
DOI：
10.1080/10245280008523545
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发表时间：
2000
期刊：
影响因子：
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通讯作者：
L. M. Sicca
中科院分区：
文献类型：
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作者：
L. M. Sicca
本文认为，一方面，组织理论为艺术生产组织的现实提供了一种解释，另一方面，对这些现实的实证分析可以为组织理论提供新的输入。作为艺术创作的一个实际例子，我提到了一个国际室内乐音乐节。对室内乐的仔细检查将揭示出适用于任何类型组织的特征。首先，我来看看艺术管理和艺术经理的本质。我接着分析了表演艺术生产过程的特点，它可以被视为发生在三个层面上的交流：观众与表演者之间(“生产者”的概念)；表演群体内部(“倾听能力”)；书面文本的作者与表演者/译者之间(“价值概念”)。最后，我展示了在一个象征性的文化框架中，论文中确定的特征如何反馈到组织研究中。时间现在和时间过去可能都存在于时间未来，而时间未来则包含在时间过去中。T·S·艾略特，四重奏
In this paper I suggest, on the one hand, that organization theory offers an interpretation of the reality of arts producing organizations and, on the other, that the empirical analysis of these realities can supply new input for organization theory. As a practical example of artistic production I refer to an international chamber music festival. Close inspection of chamber music will reveal characteristics that apply to any type of organization. I begin by looking at the nature of arts management and the arts manager. I go on to analyse the characteristics of the production process in the performing arts, which can be seen as communication taking place on three levels: between audience and performers (concept of ‘prosumer’); within the performing group (‘listening ability’); between the author of the written text and the performer/interpreter (‘concept of value’). I finish by showing how in a symboliccultural framework the features identified in the paper can feed back into organization studies. Time present and time past Are both perhaps present in time future, and time future contained in time past. T.S. Eliot, Four Quartets