THE SOCIAL TURN: COLLABORATION AND ITS DISCONTENTS
THE SOCIAL TURN: COLLABORATION AND ITS DISCONTENTS
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社会转向：合作及其不满
DOI：
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发表时间：
2010
期刊：
影响因子：
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通讯作者：
Dan Graham
中科院分区：
文献类型：
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作者：
Dan Graham
最近对集体、合作和与“真实的”人直接接触的艺术兴趣激增（即，从Superflex为利物浦老年居民设计的网络电视台（Tenantspin，1999），到Jeanne货车Heeswijk为鹿特丹弗拉尔丁根居民设计的将废弃的购物中心改造成文化中心的项目（De Strip，2001-2004）。虽然这些做法在商业艺术界的形象相对较弱-集体项目比个人艺术家的作品更难销售，而且比社会活动，出版物，研讨会或表演更不可能成为“作品”-但它们仍然越来越明显。
The recent surge of artistic interest in collectivity, collaboration, and direct engagement with ‘real’ people (i.e., those who are not the artist’s friends or other artists) from Superflex’s internet TV station for elderly residents of a Liverpool housing project (Tenantspin, 1999) to Jeanne van Heeswijk’s project to turn a condemned shopping mall into a cultural center for the residents of Vlaardingen, Rotterdam (De Strip, 2001–2004). Although these practices have had a relatively weak profile in the commercial art world— collective projects are more difficult to market than works by individual artists, and less likely to be a ‘work’ than a social event, publication, workshop, or performance—they nevertheless are increasingly visible.