THE GALACTIC POLITY: THE STRUCTURE OF TRADITIONAL KINGDOMS IN SOUTHEAST ASIA *
THE GALACTIC POLITY: THE STRUCTURE OF TRADITIONAL KINGDOMS IN SOUTHEAST ASIA *
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银河政权:东南亚传统王国的结构 *
DOI:
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发表时间:
1977
期刊:
影响因子:
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通讯作者:
S. Tambiah
中科院分区:
文献类型:
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作者:
S. Tambiah
I have coined the label galactic polity to represent the design of traditional Southeast Asian kingdoms, a design that coded in a composite way cosmological, topographical, and politico-economic features. The label itself is derived from the concept of mandala, which according to a common Indo-Tibetan tradition is composed of two elements-a core (rnanda) and a container or enclosing element (la). Mandala designs, both simple and complex of satellites arranged around a center, occur with such insistence at various levels of Hindu-Buddhist thought and practice that we are invited to probe their representational efficacy. Thus, cosmological schemes of various sorts in Tantric Hinduism and Buddhism have been referred to as mandala, e.g., the cosmos as constituted of Mount Meru in the center surrounded by oceans and mountain ranges. At a philosophical and doctrinal level, the Buddhist Sarvastivadin school represented the relation between consciousness (citta) and its associated mental phenomena (caitta) in terms of the law of satellites (wherein consciousness placed in the center is surrounded by 10 caitta, each of which again is surrounded by 4 laksanu (satellites)).6733 The design and arrangement of the magnificent architectural monuments like Borobodur and Angkor Vat have been called mandala.22.23 At quite a different level Kautilya in his .Arthashastra used mandala as a geopolitical concept to discuss the spatial configuration of friendly and enemy states from the perspective of a particular kingd~rn.~’ The human body is likened to a mandala,36 a description that finds its resonances in ritual and medical practices. Finally, mandala designs are imprinted on textiles or are reproduced in the transitory designs drawn with powdered colors on numerous occasions. Our primary interest in this paper is the traditional Southeast Asian kingdoms that are described as conforming to the mandala scheme in their arrangement at various levels. But we should first take note of the fact that the mandala as geometrical, topographical, cosmological, and societal blueprints are not a distinctive feature of complex kingdoms and polities only. The evidence is quite clear that simpler mandala designs appear in tribal lineage-based segmentary societies practising slash-and-bum agriculture, and that the most elaborate designs are manifest in the more complex centralized polities of valley-based sedentary rice cultivators (e.g., see de Jong,’ S ~ h r i e k e , ~ ~ Mus,” Heine-Geldern,” Shorto,’’ Moertono,” and Wheatley4‘). But this is a simplification. There are indeed expressions both simple and complex found in phenomena standing in-between these poles-at the level of tribal polities and local communities. An excellent case in point are the Atoni of Timor. They have named patrilineal descent groups, they live in villages, grow maize and rice by shifting agriculture on mountainous terrain, and at the same time belong to princedoms. Their village houses are made to a complex center-oriented design wherein concepts of inner and outer, right and left, 4 major mother posts, and 12 peripheral chicken posts,