Miranda
Miranda
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米兰达
DOI：
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发表时间：
2020
期刊：
影响因子：
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通讯作者：
Tina Krontiris
中科院分区：
文献类型：
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作者：
Tina Krontiris
珍视观众宣泄的源泉。显然，从热烈的起立鼓掌来看，宣泄效果是合法的。然而，吸引现场表演的观众的东西并不能不假思索地迷惑视频记录的挑剔观众。然而，尽管总是坐在马鞍子上的苦涩的在家批评者的马感，绝望的恳求：一匹马！一匹马！我的王国换一匹马！无论你是直接从马嘴上听到它，还是近10年后以默认标准(即低质量)视频质量，YouTube推出了默认标准(即低质量)视频质量，以减轻封锁期间宽带网络的压力，这总会给你留下深刻印象。更重要的是，在我们莎士比亚的地图上，出现了一个新的值得注意的地点-摩尔多瓦-一匹雄心勃勃、前途光明的黑马！
cherished source of audience catharsis. Obviously, the cathartic effect was legitimately achieved, judging from the enthusiastic standing ovation. However, what captivates a spectator of a live performance does not axiomatically beguile the fault-finding viewer of a video recording. Yet, despite the horse sense of bitter homebound critics who are always in the saddle, the desperate plea ‘A horse! a horse! my kingdom for a horse!’ invariably strikes you, whether you hear it straight from the horse’s mouth or almost 10 years later in default standard (i.e. lowish) video quality, introduced by YouTube to lessen the strain on broadband networks during lockdown. What is more, on our Shakespearean map, there appeared a new noteworthy point/location – Moldova – an ambitious dark horse with a bright future!