Accounts of a Critical Artefacts Approach to Design Anthropology
Accounts of a Critical Artefacts Approach to Design Anthropology
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设计人类学的关键人工制品方法的叙述
DOI：
10.21606/nordes.2011.018
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发表时间：
2011
期刊：
影响因子：
--
通讯作者：
T. Lenskjold
中科院分区：
文献类型：
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作者：
T. Lenskjold
这篇文章旨在讨论设计人类学为设计中的关键参与模式和人工制品的部署带来了什么。反过来，讨论设计人类学的这种特定框架如何增加其学科潜力。我建议这样做，讨论如何设计挑衅和关键的人工制品，作为过渡设备，并在设计过程中的不同阶段，可以唤起一个关键的立场或呈现内在的争议可见，同时把人工制品的利益相关者，上下文和关注的异构集合之间的调解对象。通过在一个明显的投机性和批判性的设计方法框架内设计人类学，本文进一步提出了问题的民族志调查的价值仅仅是设计的影响，并继续建议一个更丰富和更干预的应用人类学与脚手架和设计中的关键立场的衔接具体相关。
This article aims to contribute to a discussion of what design anthropology brings to the deployment of critical modes of engagement and artefacts in design. And, conversely, discuss how this specific framing of design anthropology may add to its disciplinary potential. I propose to do this by discussing how design provocations and critical artefacts, as transitional devices, and at different stages in a design process, can evoke a critical stance or render intrinsic controversies visible, while turning the artefacts into objects of mediation between heterogeneous assemblages of stakeholders, contexts and concerns. By framing design anthropology within a distinctly speculative and critical approach to design, this article furthermore brings into question the value of ethnographic inquiry as merely implications for design, and goes on to suggest a richer and more interventionist application of anthropology with specific relevance for the scaffolding and articulation of a critical stance in design.