Radical Meeting Places, Poetry and the Public Domain
Radical Meeting Places, Poetry and the Public Domain
复制标题
激进的聚会场所、诗歌和公共领域
DOI：
--
复制
发表时间：
2015
期刊：
影响因子：
--
通讯作者：
D. Chamberlain
中科院分区：
文献类型：
--
作者：
D. Chamberlain
The intertwining of poetry and space has been a subject of scholarly research and debate for many years, but its study has acquired new vigor with transformations in media and the advent of the Internet. Indeed, a shared concept of space cannot be taken for granted and its facets have been reconfigured to the degree that research initiatives, like that of the Contemporary Poetry in Public Space group, have become important reference points regarding its nature for researchers exploring the topic. Bearing in mind that, through perception, space and time are bound together, this group’s recent discussion of poetry’s temporal roots in rhythm and corporal gesture (Chamberlain 45-58) necessarily calls for a corresponding reflection on poetry’s rootedness in space. It calls for a reflection understood in the etymological sense of running thoughts backward from the conceptual, through the perceptual, to approach the deep-rooted experience of poetic discourse, understood broadly as a celebration of language. Here language, the material of poetic celebrations, is not be reduced to langue, that is, to a specific morphosyntactic system and its lexical repertoire (Saussure 13-35) that traditionally has been the focus of Linguistics. It is understood as langage, or as energeia in the sense put forward by
