Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts
Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts
复制标题
声音::性别::女权主义::行动主义：对声音艺术正统观念的研究和挑战
DOI：
10.1080/07494467.2016.1176769
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发表时间：
2016
影响因子：
0.4
通讯作者：
C. Lane
中科院分区：
文献类型：
--
作者：
C. Lane
MusDig项目进行的统计证据和分析证实了以前英国妇女在声音艺术和音乐技术方面缺乏广泛参与的传闻。旨在通过获得正规教育内外的生产资源来扩大参与的倡议已证明在质量上很重要，但在数量上无效，妇女参与的数字一直徘徊在同样的百分比上。为了改善这种情况，我认为围绕声音艺术、当代音乐和音乐技术的批判和背景框架需要发生巨大的文化转变，这将挑战现有的正统观念，并使更广泛的多样性和实践能够被包含在声音艺术中。
The previously anecdotal lack of a broad engagement by women in sound art and music technology in the UK has been confirmed by the statistical evidence and analysis undertaken by the MusDig project. Initiatives designed to widen participation through access to production resources, both inside and outside formal education, have proved to be qualitatively important but quantatively ineffective, with the figures for women’s participation hovering stubbornly around the same percentages. In order for the situation to improve, I argue that there needs to be a seismic cultural shift in the critical and contextual frameworks that surround sound art, contemporary music and music technology, one that will challenge existing orthodoxies and enable a wider range of diversity and of practices to be encompassed within the sounding arts.