:Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History
:Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History
复制标题
:大西洋的幽灵:金融资本、奴隶制和历史哲学
DOI:
10.1086/ahr.114.1.148
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发表时间:
2009
影响因子:
3.4
通讯作者:
S. Juengel
中科院分区:
文献类型:
--
作者:
S. Juengel
On September 6, 1781, the Zong, a British merchant vessel loaded with slaves, weighed anchor and sailed from the coast of Africa bound for Jamaica. By late November disease had ravaged both the crew and the ship’s human cargo, and Captain Luke Collingwood, despite passing in sight of Jamaica, commanded the Zong back out to sea, whereupon he ordered his crew to begin throwing the sickest slaves overboard. Over the course of three days, over one hundred and thirty slaves, many of them handcuffed, were ffung into the churning seas. Upon the ship’s return to England, its owners filed an insurance claim for lost “cargo,” and in the process exposed in the most pitiless fashion the triumph of finance capital over the human heart. They also, not incidentally, provided the abolition movement with its most moving and powerful indictment of a merciless trade.Ian Baucom explores the Zong tragedy as a signal event in a melancholic version of modernity, and in the process quite literally sounds the depths of the eventstructure of historical meaning. But Baucom’s study is far more than the history of a dreadful episode in the catalogue of middle passage horrors. Proceeding with an almost Benjaminian diligence and industry, Baucom longs to read “the total event” of the Zong incident; or, in other words, to imagine how the drowning of one hundred and thirty three slaves “bears on the inauguration of a long twentieth century underwritten by the development of an Atlantic cycle of capital accumulation” and speculative epistemologies (p. 167). Ever sensitive to the tropes of liquidity and speculation that haunt both the Zong case and the financial revolution more broadly, this work strives to situate the Zong and its victims as they fficker between what Baucom calls “romantic historicism” and “actuarial historicism,” the competing conditions of possibility that shape the accounting of the event (p. 42). The Zong’s insurance contract, and the trials surrounding its efficacy, thus emerge as allegories for a speculative, and spectral, capitalism.