Woman, native, other : writing postcoloniality and feminism

Woman, native, other : writing postcoloniality and feminism
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女性,本地人,其他:写作后殖民性和女权主义

DOI:
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发表时间:
1990
期刊:
影响因子:
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通讯作者:
T. M. Trinh
T. M. Trinh
中科院分区:
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文献类型:
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作者:
L. Lowe;T. M. Trinh

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故事从很久以前开始……I.承诺从纸写作盒三重束缚沉默的时间仪式通过内疚自由和群众为人民,由人民,从人民垂直强加的语言:清晰度,工艺,和她谁偷语言一个素描窗口的世界空镜子的无限游戏写作女人II。本土主义的语言:人类学作为人与人的科学对话陈旧的代码的统治实证主义者的梦想:我们,土著人他们,土著人西方科学的人神话的神话什么阿曼和阿曼?八卦与科学:关于我所爱的真理的对话本土主义者的解释见他们,因为他们看到对方三。差异:特殊的第三世界妇女问题O独立发展的政策O特殊感根源和真实性的问题无限层:我不是我可以是你和我女性身份围栏第三世界?OWomanO和语言排斥的微妙力量主体的形成种族或女性:谁的二重性?性别争议四。奶奶的故事真相与事实:故事和历史的守护者和传播者在文明的背景下讲故事一种再生的力量一次欧布莱克和欧怀特魔法女战士:她打破了咒语一种治疗和对疾病的保护用他们的方式讲故事。不得有任何列注释所选书目索引
The Story Began Long Ago... I. Commitment from the Mirror-Writing Box The triple bind Silence in time Rites of passage The Guilt Freedom and the masses For the people, by the people, and from the people Vertically imposed language: on clarity, craftsmanship, and She who steals language A sketched window on the world The infinite play of empty mirrors Writing woman II. The Language of Nativism: Anthropology as a Scientific Conversation of Man with Man The reign of worn codes The positivist dream: We, the natives They, the natives A Western Science of man A Myth of mythology What OmanO and which OmanO? Gossip and science: a conversation on what I love according to truth Nativist interpretation See them as they see each other III. Difference: OA Special Third World Women IssueO The Policy of Oseparate developmentO The Sense of specialness The question of roots and authenticity Infinite Layer: I am not i can be you and me The female identity enclosure Third World? OWomanO and the subtle power of linguistic exclusion Subject-in-the-making Ethnicity or womanhood: whose duality? The Gender controversy IV. GrandmaOs Story Truth and fact: story and history Keepers and transmitters Storytelling in the OcivilizedO context A regenerating force At once OblackO and OwhiteO magic The woman warrior: she who breaks open the spell A cure and a protection from illness OTell it the way they tell itO OThe story must be told. There must not be any lieO Notes Selected Bibliography Index