Entangled Paths: Post-Anthropocentric Picturebook Retellings of "Little Red Riding Hood"
Entangled Paths: Post-Anthropocentric Picturebook Retellings of "Little Red Riding Hood"
复制标题
纠缠的路径：后人类中心主义绘本重述《小红帽》
DOI：
10.1080/14688417.2021.1951324
复制
发表时间：
2021
期刊：
影响因子：
--
通讯作者：
Mayako Murai
中科院分区：
文献类型：
--
作者：
Fuyuko Fukunaka;Tobias Utz;Chien-Chang Yang,;小田部胤久;村井まや子;東晴美;平野恵美子;宮崎晴代;山口庸子;劉文兵;Fuyuko Fukunaka;平野恵美子;平野恵美子;小田部胤久;小屋敷琢己（比嘉豊光氏との対談記録）;小菅隼人;佐和田敬司;山口庸子;劉文兵;宮崎晴代;Mayako Murai
在许多流行的《小红帽》改编作品中，狼被拟人化，被描绘成动物变装中的坏人，而不是野生动物。然而，这个围绕人类与野生动物在森林中相遇的经久不衰的童话故事也可以被解读为一个多物种纠缠的故事。通过研究来自不同文化的现代图画书改编的《小红帽》如何使用不同的视觉策略来突出故事中不同物种的声音和世界观，本文认为童话魅力可以作为卡里·韦尔所说的“批判拟人论”的一种手段，邀请儿童和成人想象非人类物种的需求、快乐和痛苦，而不抹去他们的感受。 差异，并重新配置现实世界中的人与动物关系。
In a number of popular adaptations of ‘Little Red Riding Hood’, the wolf is anthropomorphised and portrayed as a bad man in animal drag, rather than as a wild animal. However, this enduring fairy tale revolving around a human-wildlife encounter in the woods can also be interpreted as a story of multispecies entanglement. By examining how modern picturebook adaptations of ‘Little Red Riding Hood’ from different cultures use various visual strategies to foreground different species’ voices and worldviews embedded in the tale, this essay argues that fairy-tale enchantment can serve as a means of what Kari Weil calls ‘critical anthropomorphism’, inviting both children and adults to imagine the needs, pleasures and pains of other-than-human species without erasing their differences, and to reconfigure human-animal relations in the real world.