The Ms. Parma 1959 in the context of portuguese hebrew illumination
The Ms. Parma 1959 in the context of portuguese hebrew illumination
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葡萄牙希伯来语照明背景下的《帕尔玛女士》1959
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发表时间：
2011
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通讯作者：
D. Matos
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作者：
D. Matos
本论文以 15 世纪下半叶葡萄牙希伯来圣书制作为背景，重点研究《帕尔玛女士 1959》。 《帕尔玛女士 1959》对 15 世纪中叶葡萄牙的犹太知识分子生活和艺术提供了独特的见解。它是几个涉及希伯来文本复制和阐释的文本的汇编。然而，它从未在犹太生产环境中被考虑过。事实上，人们很少关注与葡萄牙有关的近 60 份希伯来手稿，其中一半以上带有插图，它们在葡萄牙和犹太艺术史上的作用和相关性尚未得到充分评估。 《Ms. Parma 1959》中包含的第一本文本《Livro de Como se Fazem as Cores das Tintas》让人们得以难得一睹 15 世纪葡萄牙书籍彩绘技术的工艺水平。该文本是有关艺术实践的唯一中世纪葡萄牙语技术资料，其与拉丁语和白话葡萄牙语手稿的关系已得到证实。尽管《核心书》包含在主要是希伯来语的书籍中，但人们仍然在希伯来语书籍插图的背景下对《核心书》进行了研究。以下论文分为三个相关部分：第一部分介绍了葡萄牙希伯来语图书制作的历史、技术和艺术背景，以及《帕尔马女士 1959》的历史、技术和艺术背景。第二部分分析了《帕尔马女士 1959》中包含的文本，以及其主要的编纂学和古文字学特征以及最相关的图像元素。第三部分致力于 Livro das Cores：在中世纪论文的背景下考虑文本，在犹太葡萄牙语的背景下评估所使用的语言，并分析所包含的食谱。本论文的主要结论是《帕尔玛女士 1959》是一本连贯的书，可以分为三个主题：（i）希伯来神圣文本副本中的副文本方面； ㈡ 哈拉卡； (iii) 犹太礼拜仪式，因此应在葡萄牙希伯来语书籍制作的一般背景下考虑。根据水印和版权页上的信息，该卷很可能是抄袭c。 1462 年，亚伯拉罕·本·哈伊姆 (Abraham ibn Hayyim) 创作。
This dissertation focuses on the Ms. Parma 1959 within the context of Hebrew sacred book production in Portugal in the second half of the fifteenth century. The Ms. Parma 1959 offers a unique insight into Jewish intellectual life and artistry in mid-fifteenth century Portugal. It is a compilation of several texts dealing with the copy and illumination of Hebrew texts. However, it has never been considered in the Jewish production context. In fact, little attention has been given to the almost 60 Hebrew manuscripts associated with Portugal, more than half with illumination, and their role and relevance in the history of Portuguese and Jewish art is yet to be fully assessed. The first text included in the Ms. Parma 1959, the Livro de Como se Fazem as Cores das Tintas allows a rare glimpse of the state of craftsmanship regarding book illumination techniques in fifteenth-century Portugal. This text is the sole medieval Portuguese technical source concerning artistic practices, and its relationship with Latin and vernacular Portuguese manuscripts has already been confirmed. Despite being included in a predominantly Hebrew volume, the Livro das Cores is yet been studied in the context of Hebrew book illumination. The following dissertation is divided in three related parts: Part One establishes the historical, technical and artistic background of Hebrew book production in Portugal and, consequently, of the Ms. Parma 1959. In Part Two the texts included in the Ms. Parma 1959 are analysed, as well as its main codicological and palaeographical features and the most relevant iconographic elements. Part Three is dedicated to the Livro das Cores: the text is considered in the context of medieval treatises, the language used is evaluated in the context of JudeoPortuguese and the recipes included are analysed. The main conclusion of this dissertation is that the Ms. Parma 1959 is a coherent volume that can be divided in three main themes: (i) para-textual aspects in the copy of Hebrew sacred texts; (ii) halakhah; and (iii) Jewish liturgy and therefore should be considered in the general context of Hebrew book production in Portugal. According to the watermarks and the information on the colophon, the volume was most likely was copied c. 1462 by Abraham ibn Hayyim.