“Tim Is Very Personal”: Sketching a Portrait of Tim Burton’s Auteurist Fandom and Its Origins
“Tim Is Very Personal”: Sketching a Portrait of Tim Burton’s Auteurist Fandom and Its Origins
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“蒂姆非常有个性”：描绘蒂姆·伯顿的作者论粉丝群体及其起源
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发表时间：
2013
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通讯作者：
M. Hills
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作者：
M. Hills
导演在电影文化和电影研究中有着悠久的历史，“有远见的”导演经常为电影艺术的阅读和庆祝提供焦点（参见Staiger）。在最近对美国和英国电影评论的分析中，Annemarie Kersten和Denise Bielby得出结论：
[C]与Auteurism相关的评论.在获得评论界认可的电影评论中更为突出。具体来说，对导演作为一个有创造力的幻想家和他或她所呈现的宇宙的解释的批评在流行电影的评论中使用最少，在专业[或电影业]获奖者的评论中使用得更多，而在获得评论界赞誉的电影评论中使用得最多。（194-95）
Auteurism has a long history in film culture and film studies, with “visionary” directors frequently providing a focal point for readings, and celebrations, of cinematic art (see Staiger). In a recent analysis of US and UK film reviews, Annemarie Kersten and Denise Bielby conclude:
[C]omments related to Auteurism are … significantly more prominent in reviews of films that received critical recognition. Specifically, criticism that focuses on the director as a creative visionary and the interpretation of the universe he or she presents is used the least in reviews of popular films, more so in those of professional [or film industry] prizewinners, and most in reviews of films that achieve critical acclaim. (194–95)