Analysis of Tonal Music: A Schenkerian Approach
Analysis of Tonal Music: A Schenkerian Approach
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音调音乐分析：申克方法
DOI：
10.2307/3653447
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发表时间：
1998
影响因子：
0.3
通讯作者：
Susan Tepping
中科院分区：
文献类型：
--
作者：
Susan Tepping
第一部分：基本原则1.贝多芬，钢琴奏鸣曲，作品2，第1号，第二乐章。旋律与对位旋律对位的一些特点结构旋律3.低音线和和声结构主音和声（T类）中间和声（国际类）主和弦（D类）较大的背景和弦延长：总结4。线性技术线性进展线性区间模式邻居注意线性区间模式：总结5.音调结构记谱符号音调结构和低音部复音法低音部复音法（Bassbrechung）基本线（Urlinie）结构层次中断原则更多关于低音部6。旋律延长的技巧初升调琶音升调由内音展开为内音声部交换语域转换降升调转换耦合叠加覆盖音替代弗里吉亚语
Preface PART 1: BASIC PRINCIPLES 1. Introduction Beethoven, Piano Sonata, Op. 2, No. 1, I 2. Melody and Counterpoint Some Characteristics of Melody Counterpoint Structural Melody 3. Bass Lines and Harmonic Structure Tonic Harmony (T Class) Intermediate Harmonies (Int Class) Dominant Harmony (D Class) Larger Contexts Chord Prolongation: Summary 4. Linear Techniques Linear Progressions Linear Intervallic Patterns The Neighbor Note Linear Intervallic Patterns: Summary 5. Tonal Structure Notational Symbols Tonal Structure and the Ursatz The Bass Arpeggiation (Bassbrechung) The Fundamental Line (Urlinie) Structural Levels The Principle of Interruption More on the Ursatz 6. Techniques of Melodic Prolongation The Initial Ascent The Arpeggiated Ascent Unfolding Motion into an Inner Voice Motion from an Inner Voice Voice Exchange Shift of Register Descending and Ascending Register Transfer Coupling Superposition Reaching Over Cover Tone Substitution The Phrygian